A Quote by Camille Paglia

I admire hard-bitten, wisecracking realism of Ida Lupino and the film noir heroines. I'm sick of simpering white girls with their princess fantasies. — © Camille Paglia
I admire hard-bitten, wisecracking realism of Ida Lupino and the film noir heroines. I'm sick of simpering white girls with their princess fantasies.
Film noir is not a genre. It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray or film off-white.
'SNL' came out in the '70s. It's a different zeitgeist. It's hard to re-create it, just as it would be hard to do a black-and-white noir film now. The culture's different.
My dream was to become a very small blonde movie star like Ida Lupino and those other women I saw up there on the screen during the Depression.
I'm mad, they say. I am temperamental and dizzy and disagreeable. Well, let them talk. I can take it. Only one person can hurt me. Her name is Ida Lupino.
Is there something in druggy subjects that encourages directors to make imitation film noir? Film noir itself becomes an addiction.
There are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
I think there are specific times where film noir is a natural concomitant of the mood. When there's insecurity, collapse of financial systems - that's where film noir always hits fertile ground.
Blending hard-bitten realism with long-view optimism, Obama said that every 20 or 30 years brings a new cycle of pessimism in America.
I don't want to be classed as a humorist. It makes me feel guilty. I've never read a good tough quotable female humorist, and I never was one myself. I couldn't do it. A "smartcracker" they called me, and that makes me sick and unhappy. There's a hell of a distance between wisecracking and wit. Wit has truth in it; wisecracking is simply calisthenics with words.
It's possible to be hard-boiled and not noir, just as it's possible to be noir and not hard-boiled. And it is possible to be both. People debate endlessly what is hard-boiled and what is noir.
Guess what, Beyonce? White people like your music, too. White people buy your songs on iTunes, memorize your lyrics, and admire your talent and beauty. Little white girls wanna be like you just as little black girls do, but instead of that, you'd rather perpetuate the great battle of the races.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
I feel like young girls are told, I don’t know, that they have to be this kind of princess and fragile. It’s bullshit. I identify much more with being a warrior, a fighter. If I was going to be a princess I’d be a warrior princess definitely.
I have a big box of autographs. I took photographs of me and Marlene Dietrich, me and Ida Lupino. I took pictures of Myrna Loy and Joel McCrea in front of the studios. I loved Hollywood. I have 500 autographs and 500 photographs I took.
And isn't that, at it's core, what the princess fantasy is about for all of us? "Princess" is how we tell little girls that they are special, precious. "Princess" is the wish that we could protect them from pain, that they would never know sorrow, that they will live happily ever after ensconces in lace and innocence.
One difference between film noir and more straightforward crime pictures is that noir is more open to human flaws and likes to embed them in twisty plot lines.
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