A Quote by Kano

See, I'm not a very open person, face-to-face. I'm no good at sharing my feelings with others, good or bad. I kind of close up. Music is the only time I can open up and actually say things.
People who cannot respect others for their good qualities - people who only look at the bad in others - are no good themselves. By looking at only the bad points, you open yourself up, and in a real encounter, will most probably be killed.
Music is what is going to save me," "On the bad days, when I have to look at the cold, hard facts of life, I see that this is not the music business I came up in and I have to be very, very objective and detached and say, 'what's good about it and what's bad about it?' Mostly, I'm finding it good that it's not the same old music business, because the music business I came up in really didn't advance anything I was doing, and I don't think it was particularly kind to a lot of artists.
As you get older, it's good to open up and acknowledge that everybody has their scary moments, their negative moments. And in order to move on and find comfort and hope, you have to stop running from the darkness and face it. And when you face it, it's not that scary at all, and sometimes it actually turns around and runs away.
The elder who is eliminating what time has done to the face, what life has done to the face, is making a statement for others to see: This is the way to be a good old person - it is to defeat this body that is doing things to you. Because you haven't changed. Your body's changing.
There's so much stuff that you see every day that you want to talk about, but I'm not the type to open up, so the only way I could open up is through music.
When Things Fall Apart” and I quote “Life is a good teacher and a good friend. Things are always in transition, if we could only realize it. Nothing ever sums itself up in the way that we like to dream about. The off-center, in-between state is an ideal situation, a situation in which we don't get caught and we can open our hearts and minds beyond limit. It's a very tender, nonaggressive, open-ended state of affairs.
If the movie is good then great, but if it's not then God, I feel so bad for that person with their face fifty feet tall, all blown up. Some people would be happy with that, that as long as their face was out there they're stoked about it. I'm not like that.
Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
Being totally open with your feelings can make everything difficult. However, in front of the person I love, I feel it is absolutely necessary to be honest and open. I belong to the type who will open up about everything.
When you write a scene where somebody is afraid of something you instantly go to decades of genre cinema: horror, suspense, and thrillers. Those are very cinematic genres, when you shoot a close-up of someone and you can see fear in the person's face, or anticipation, or some kind of anxiety, it's a very cinematic image.
In the beginning, I didn't realize that I was so open with my feelings, and I had to stop and think to myself, I couldn't possibly be the only one in the world going through this. Perhaps this will help other people when I face my fears and allow people to come into my space. These are the things that I worked through, and in a sense, it's great that I was able to share that, although I was terrified after I realized that I was sharing it with the world.
My bed was pushed up hard against the wall just below the window. I loved to sleep with the windows open. Rainy nights were the best of all: I would open my windows and put my head on my pillow and close my eyes and feel the wind on my face and listen to the trees sway and creak. There would be raindrops blown onto my face, too, if I was lucky, and I would imagine that I was in my boat on the ocean and that it was swaying with the swell of the sea. I did not imagine that I was a pirate, or that I was going anywhere. I was just on my boat.
It was a great time. We did hurt ourselves [on Pineapple Express set]. [James] Franco cracked his face open.[Danny ] McBride cracked the back of his head open. I punched Amber[Heard] in the face just to get her in the mood for things. 'Welcome to the set!' But it was a lot of fun. I loved it.
I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.
Money is a good thing, but every morning you have to get up with something no one else in the world gets up with - that's that image. That face you see in the mirror, you got to love it, and you better do some things that you feel good about inside of you. Of course, money is going to come, but make certain that you do some good with it.
[DJ Ill Will] already knew I had the music talent prior to meeting him in person, I guess when he met me face to face he saw the potential on a marketing level and believed in the music I could create to back it up so we teamed up and the rest is history.
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