A Quote by Kara Hayward

I got a manager, and I thought, since I was going out on auditions, I should do this for a living. Then there was this moment on set when I realized I was having a lot of fun, and I really wanted to do this forever.
I got a manager, and I thought, since I was going out on auditions, I should do this for a living. Then there was this moment on set when I realized I was having a lot of fun, and I really wanted to do this forever. I want to do different stuff, but I want it all to be just as good as this film. I want to be consistent.
I got started acting by going to auditions that my mom found in the entertainment section of our local news paper. Then, I got a manager and started going out on more auditions.
When I turned 21, I really wanted to go to uni, and then I thought about it and realized all I wanted was the experience. All the stuff you do in uni, I did in London, which is hang out and party with friends - but instead of getting up and going to lessons, I got up and went to work.
I thought that I was going to have to pay them to do what I wanted to do, that was how much fun I was having. You're 20 years old and you're hanging out with rock stars and going to fabulous parties, and then you talk about it!
I was imagining a long life of being a stone cold loser. Then I got a job, which was really nice, then I got a great agent, a great manager, which was really nice. I was doing a lot of set ups, and, you know, I got to start working in L.A.
There were points I wanted to stop acting. We got so busy and didn't get to see our friends a lot, and I was like, 'Wow, I'm kind of over this.' But then we started really having fun on 'The Suite Life.'
The main thing right now is just going out and having fun. I know what I want to do. If I go out and have fun and relax, then all my goals should come true.
Having read the source material, I had to have drawn from that. As a fan, I wanted to remain true to that character, but it was really cool because, as we were figuring these characters out, I realized that there was a lot more backstory, rather than what I had gotten just from reading the book. Glenn doesn't really get much of a backstory there. He's just seen as this kid who is put in this situation, not knowing where his mind-set is, but then you slowly see him start to develop.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
I was so tired, wasn't having fun any more, and wasn't sure if I wanted to do this any longer. So I turned my phone off and sorted my head out. It was the opposite of a breakdown really, it was a break-up - I got rid of all the idiots, realised my job was supposed to be fun, and got on with my life.
You can use the fun of the genre, but I also really wanted to come at it from the point of view of some really complex characterization. There was a lot that I wanted it to do, and I wanted it to be fun. It's fun, but it's not simple fun.
When I read it and I realized that Michael Landon, Jr. was the director of it, I thought...this could work out well. This is not gonna be a hard stretch for me to get the character figured out at all. Outside of the billion dollars, I was living his life...chasing money down. It was a lot of fun.
I've always thought flight was fun and wanted to write about flight, and I knew a lot of househusbands who were having a really bad time with it. I thought flight might perk up a marriage here or there.
I wanted to be involved with literature. I certainly wasn't going to be able to write for a living, and I didn't have enough confidence in my talent to think that I should be just doing that. Publishing seemed like fun to me - to be involved with writers. And it did turn out to be. I thought I'd try it, and I'm still trying it, 40 years later.
I remember I was really into this British band, The Vapors, with that song "Turning Japanese." I thought that they were really next level genius cryptic weirdos. And then I realized when I got older they are just using a lot of British words, and I didn't know what they meant. But I thought, Oh, they are making up their own language.
I had some pretty lucky and good living situations; thankfully I never got forced out of an apartment. A lot of my friends got evicted or pushed out and couldn't afford a new place. For me, I wanted more space to set up a home studio, but there was no way to afford that.
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