A Quote by Karen Joy Fowler

I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all. — © Karen Joy Fowler
I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
The daily writing practice is something I used to hear batted around a lot in writing workshops - which is probably why I dropped out of all the writing workshops. I wish I could take credit for innovating a new approach to writing, but the truth is that I've managed to write books despite myself. I'm lazy and ungovernable and undisciplined, but I do have a lot of anxiety about never amounting to anything and ending up as a bag lady.
And tell them all about the books you've read. Better still, buy some more books and read them. That's an order. You can never read too many books.
I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
Permission marketing turns strangers into friends and friends into loyal customers. It's not just about entertainment - it's about education. Permission marketing is curriculum marketing.
The books we think we ought to read are poky, dull, and dry The books that we would like to read we are ashamed to buy The books that people talk about we never can recall And the books that people give us, oh, they're the worst of all.
I read a lot; I tried to understand the mechanisms that made the books I liked successful, and I went that route. So, as for readers - when I think about them I like to think they read the same books I do.
Actors can be very precious about their work and their scenes, but I think good actors have a strong understanding of narrative and are very often not as precious about that stuff. They just can't be because they understand what makes for a better film, and that it's the job of the actor to work toward that, and then if you want you can go to acting class or workshops. But making movies is not workshops.
I write books and either people read them or they don't read them. The rise of Facebook or e-books doesn't change the difficulty level of writing sentences and thinking up new ideas.
I don't read a lot of inspirational books for life. But for writing, I think the two best books are The War of Art and William Zinsser's On Writing Well. I read a lot of classics.
When I was in the sixth grade my friend and I always won writing contests, and we read a lot of books. We were always the ones that read the most books in class. I thought about writing but visual arts weren't part of my vocabulary.
I didn't write with a target audience in mind. What excited me was how much I would enjoy writing about Harry. I never thought about writing for children - children's books chose me. I think if it is a good book anyone will read it.
I just stopped reading a lot of books. I mean, I read books that I have to read for school, but I don't actually pick up a book and read for fun. On my time off, I go to movies, hang out with friends, go shopping...just little things.
I never tell students they cannot read a book they pick up, but I do guide them toward books that I think would be a good fit for them. I think of myself as a reading mentor-a reader who can help them find books they might like.
The books I used to love as a kid, I used to read football books - and by that I mean soccer books - stories about boys in school who started to play football and then became the captain. I'd read them cover to cover. I just got lost in them.
If you are resolutely determined to make a lawyer of yourself, the thing is more than half done already. It is but a small matter whether you read with anyone or not. I did not read with anyone. Get the books, and read and study them till you understand them in their principal features; and that is the main thing. It is of no consequence to be in a large town while you are reading. I read at New Salem, which never had three hundred people living in it. The books, and your capacity for understanding them, are just the same in all places.
Everyone seems to see bleakness and despair in my books. I don't read them that way. I see myself as writing comic books, books about ordinary people trying to live ordinary, dull, happy lives while the world is falling to pieces around them.
This site uses cookies to ensure you get the best experience. More info...
Got it!