A Quote by Karen Walker

I loved the idea that people dressed up to go to the gardens. Our work always has a utility point of view at its heartbeat and then other things come around it, so it really allowed us to use denims and suedes and gauzes, and those sorts of hard-working fabrics - workwear fabrics - and then contrast them with crepe de chine, beautiful florals and big jewelry.
With Whitney Eve, I really wanted to dress everyday girls. I wanted it to be a more sophisticated than just casualwear, but be comfortable at the same time. All the fabrics are easy fabrics, they can be dressed up or dressed down.
Design is a series of creative choices - it's a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Through the process, you realize what you want it to be.
I have a different experience. My father was a small-businessman. He worked really hard. He printed drapery fabrics on long tables, where he pulled out those fabrics and he went down with a silkscreen and dumped the paint in and took the squeegee and kept going.
When I came to Delhi first and said, "This is not India. And then I was taken to Varanasi and there I loved, loved the culture. It was a beautiful journey. The way the people dressed - even the poorest people, and the fabrics! With vegetable dyes, and I was fascinated by the color. But in the end I loved the men - all in white - so many shades of white. And I said, "What am I going to do? A color collection or a white collection?" I finally did a neutral white collection.
If space is a fabric, then of course fabrics can have ripples, which we have now seen directly. But fabrics can also rip. Then the question is what happens when the fabric of space and time is ripped by a black hole?
Beautiful fabrics last; synthetics don't. Certain fabrics, such as linen or cotton, develop their own character over time.
I am always trying to find fabrics that are more friendly to the environment - working with Virgin Atlantic, they managed to research into this and find more eco fabrics.
I hear in the big city, girls dress up like sexy witches and sexy vampires and sexy Easter bunnies, and go to parties where they do all sorts of scandalous things," Kami said. "Luckily you and me, we got to walk around our town looking at our neighbours' gardens and remarking 'My, that's a good-looking scarecrow' to each other. I guess this is why our natures are so beautiful and unspoilt.
It's joyful in that there's another point of view on all things, you know, not just mine. That's why I like to write and collaborate with people. There's another point of view, and when those two things come together, and people work at it really hard, they get something that is the whole is more than the sum of - is that how you say that?
Our point of view is, lets not be so elitist that we can't honor good, hard, dignified, ennobling work: people working with their hands, building things, putting up solar panels, weatherizing homes, working on organic agriculture, building wind farms. We don't have robots in society, so somebody has to do that work. Lets make sure that the people who can use that work get a chance to do it. I see that as a first step toward bigger and better things.
You start to stress yourself out about the people around you. You start to think, like, "What do you really want from me?" And then you forget that you, at some point, asked them for something. At some point you needed them to take you in because you ain't had nowhere to go. And now you turn around and question their loyalty to you, and those were the only people loyal to you. The only people that really loved you are still there, and you tanked on them. I'll never let that happen.
We also had a team of costumers that would do samples for us, of fabrics, textures, people doing silhouettes of things up on dress forms, just to kind of inform the design process. Through all of that we got to the point that we had to figure out how to light them up. So that was a huge undertaking.
I'm quite tactile, so I like fabrics that feel good. I try to avoid fabrics that crease - especially with my son. When you have a child, that's important. A great pair of a jeans, a t-shirt and some loafers, that's what I always wear.
I've always loved film more than theater, and film may be more closely related to making a record because you have that ability to go in and do your work and have no judgment around it, and feel honest. Then, much later, it's presented to people. But in theater, people come backstage after a performance and you're about to do the same play again the next night, and people say, "Well, I didn't really believe that emotion" or whatever. It's really hard for me, I like to be closed up and just do the work.
Now he's [Cinna] arranging things around my living room: Clothing, fabrics, and sketchbooks with designs he's drawn. I pick one up and examine one of the dresses I supposedly created. You know, I think I show a lot of promise," I say. Get dressed, you worthless thing.
I guess the hard part is more in the development stage when we're writing it. The logic is hard. You come up with a great idea and you get all excited that it's going to work and then you go down two hours and then one guy turns to everyone and goes, 'Wait, that makes absolutely no sense because if he was there, then this wouldn't have happened, then this,' and it completely implodes.
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