A Quote by Carine Roitfeld

People ask me 'Why you want to do another magazine - 10 years at 'Vogue,' a great magazine? Why do you want to make a new one? It's so difficult and there's already so many.' I wanted to do something new, bring a new vision.
At an early age I discovered the beauty in pictures in 'Vogue' magazine and Ebony magazine, and I would read 'The New York Times.' I had to make my own world within my world because I was an only child.
When I ask the young people from California why they want to go to New York, and the ones from the East why they're determined to go West, I hear what you'd expect: new challenges, different weather, boyfriends, girlfriends, to make a name... They laugh when I say, 'But your poor mother.'
When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?
You can't put yourself into competition with a magazine like 'Vogue.' You have to create something new, something different.
Everybody's trying to repeat the past with the new network, with new devices and new tools. Why not make something brand-new?
I am all about new beginnings. A new grandchild, another new hairstyle, a new email account. Why not a new relationship with the press?
It's always difficult when you want to do something really new, and you also want it to reach the masses, because the majority of people want to see what they've already seen before, or that they're already familiar with. To open the majority of peoples' minds to something new is difficult.
If [Bill Shawn] liked the piece, then he would run it. But he wanted the magazine to be something that was more than just a weekly event. And as a result you could pick up a New Yorker under him, as I mentioned before, a year from then or 10 years or 20 years and there would always be something worth reading in it.
Twitter is the new rock magazine of the modern age. When I was a kid, we had magazines and journalists and interviews and articles and pinups and posters to follow our favourite artists. Nowadays? Twitter is actually the new rock magazine.
In 1969, 'Life' magazine came up to me and said they wanted to do a little story on the Hobie, and I ended up getting a six-page spread. I remember Robert Redford was on the cover, and when that magazine hit the stands, it was a whole new ballgame.
Many politicians in the West cling to the notion of a partnership with Russia. They want to include [Vladimir] Putin, make compromises and constantly negotiate new deals with him. But history has taught us that the longer we pursue appeasement and do nothing, the higher the price will be later on. Dictators don't ask "Why?" before they seize even more power. They ask: "Why not?"
I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.
Six months is the most you can ask of any fan in this day and age, with the Internet and all these new artists. I understand that my music is in a lot of mediums. Some people want me to make an R&B album. Some people want me to never sing again. I just don't want people to be able to draw comparisons between my old songs and my new ones.
I just want to make music, I don't want people to talk about me. All I've ever wanted to do was sing. I don't want to be a celebrity. I don't want to be in people's faces, you know, constantly on covers of magazine that I haven't even known I'm on.
Gramercy Tavern appeared on the cover of New York Magazine the day we opened, and it was five deep at the bar with people who were not necessarily here to dine. They just wanted to kinda sniff out the hot, new restaurant.
I don't see why people want new plays all the time. What would happen to concerts if people wanted new music all the time?
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