A Quote by Karl Ove Knausgard

Knut Hamsun's writing is magical. His sentences are glowing; he could write about anything and make it alive. Of contemporary writers, Thure Erik Lund is my definite favorite.
When I was writing the first few books, what I would do is write a bunch of sentences and then go back and expand and explode those sentences, pack as much into them as I could, so they'd kind of be like popcorn kernels popping... all this stuff in there to make the writing dense, and beautiful for its density.
There are certain writers I can't read when I'm trying to write because their voices are so distinct. Cormac McCarthy, he's the most different writer from anything I've ever written, but there's something about those really spare sentences that is just tough - it would be too much of an influence. Grace Paley is my favorite writer. Her stuff is so voice-driven, when I read her a lot I want to make my writing more voice-y and dialogue-heavy. I love a lot of stuff in translation.
I've lost track of the number of people who want to be writers but never actually write anything. Talking about writing, dreaming about writing, can be very fun, but it won't get a book written. You've got to write.
I've lost track of the number of people who want to be writers but never actually write anything. Talking about writing, dreaming about writing, can be very fun, but it won't get a book written. You've got to write
Successful writers are not the ones who write the best sentences. They are the ones who keep writing.
I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating.
For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing.
Beethoven was just music, and it didn't matter if he could hear it or not - he could feel it. He could hear it in his mind. He could write it down hearing it in his mind. He was just music. Yeah, he's one of my favorite writers of all times.
Don't you think that's the main reason people find [writing] so difficult? If they can write complete sentences and can use a dictionary, isn't that the only reason they find writing hard: they don't know or care about anything?
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
All writers write about the past, and I try to make it come alive so you can see what happened.
I can honestly say that, growing up, it never crossed my mind that I could ever make anything. I could write articles about things, which is why I wanted to be a professor. I loved watching movies and writing about them and teaching them, but it never crossed my mind that I could make something.
If you don't think there is magic in writing, you probably won't write anything magical.
Writing keeps me at my desk, constantly trying to write a perfect sentence. It is a great privilege to make one's living from writing sentences. The sentence is the greatest invention of civilization. To sit all day long assembling these extraordinary strings of words is a marvelous thing. I couldn't ask for anything better. It's as near to godliness as I can get.
I write 'by the seat of my pants.' I love to do research. I am inspired by contemporary writers and contemporary events. I live in the real world.
I believe writers should be able to write about anything - anything - but there is also a sense in which your lived experience shapes what you write and what you don't write.
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