A Quote by Karl-Anthony Towns
It's hard to get me to even say I played good. That's just in me. I'm just never satisfied. A lot of my friends get annoyed by it.
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My father cared a lot about me, but he never gave me the satisfaction of really knowing it. Hitting .390 wasn't enough for him. Nothing seemed to be. He was not trying to be mean. He was just seeing to it that I never got self-satisfied, that I worked hard to get the most out of what I had.
I do get very angry at things. My wife has to count to ten because if she gets annoyed at me being annoyed, then I get annoyed at her being annoyed at me being annoyed.
I'm never really just satisfied with where I'm at. I always just want to get better, improve more, learn as much as I can because obviously I have a lot to learn and a lot to get better at so it's all about improvement to me.
I just worry a lot. I'm a worrier. Michelle and Barack are really dear to me. I mean, I love them. And I don't want to see them get hurt. Just the nature of politics is hurtful. So every time they are hurt, I get hurt. It's a lot to ask of people, and it's a lot to see your friends go through. It's hard not to get emotional.
Not a 'Mad Men' guy. Never got into it. I'm kind of a contrarian that way. If something gets too popular too fast before I can get on it, I just get really annoyed. Everybody tells me I'm an idiot; it's supposed to be amazing. I saw some of the second season; I loved it, but I was just detached. I didn't get into it.
If anybody asks me what I attribute the longevity of my career to, then I say it's because I was never satisfied with being a cowboy in the plains of Spain and later I was never satisfied with just playing a detective in San Francisco, and constantly just pushing the envelope.
I never got in a conflict. I didn't want Don Shula to say a word to me at all. My play emphasized that. He couldn't get me for anything or whatever. After that we were ok. I just didn't like the way they used me at the end of the 1963 season going in 1964. I felt that they played games with me.
It's been hard for my parents to be able to drive and come and see me play. And a lot of friends and people just don't get out to see us, so I'd like them to, gosh, before we get too old.
I've had a lot of people in my past who were friends with me just to get publicity. When I was young, my mom or sister used to have to point out if someone was using me to make a name for themselves ? you know, linking arms with me on the red carpet and trying to get in every picture. But now I can see for myself when someone is just hungry for attention.
When I first got my ring name as Carmella, I knew I was just going to do whatever I could to create this over-ridiculous, over-the-top character that would just help me get my face, and I don't even know what I'm trying to say, but just get me out there and just show, like, 'OK, wow, we need to pay attention to this girl because she has something.'
I'm a very early riser, and so I like to get up and try hard to write before the day even really gets started. Just me and a pot of coffee -I find I can get a lot done that way.
I just got addicted to getting better. My coach gave me a goal to get a tip dunk in a game - you know, a putback dunk off a rebound. I had never done that. He told me that he'd get me a pair of new shoes if I did it. I just kept trying. I couldn't get it, couldn't get it, couldn't get it. It took me a year or so. Finally, one game, I got it.
I want to get away from the social vampires in Tucson. The people who have no lives of their own and meet me and know who I am and feel entitled to say negative things. I have good friends here, especially in the bands. But a lot of it is just like high school.
I'm around a lot of good people who keep me grounded and don't let me get too high above my raisings. I have some good friends who don't talk about my job, and that's nice. Those are the friends who are my favorites. That helps a lot.
You can't have a director say, "Just be you"; you have to have an aim. It's like when you throw darts, you have to know where the bullseye is. You can't just say, "No no no no no, drop the darts. Just stand. We're going to film you." You have to get there indirectly. You have to have me doing something, and then you can get "me."
When I lost my first record deal, my wife and kids and I lost - I wouldn't say friends, but - we lost a lot people around us. They just vanished! They were nowhere to be found. I couldn't get a break, and I couldn't get people to even respond to my emails about songs, no matter how good something was.
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