A Quote by Karl Ernst von Baer

The distinguishing of the strata, or layers, in the embryonic membrane was a turning-point in the study of the history of evolution, and placed later researches in their proper light. A division of the (disc-shaped) embryo into an animal and a plastic part first takes place. In the lower part (the plastic or vegetative layer) are a serous and a vascular layer, each of peculiar organization. In the upper part also (the animal or serous germ-layer) two layers are clearly distinguishable, a flesh-layer and a skin-layer. (1828)
I experience each moment like baklava: rich in this layer, and this layer, and this layer.
I spent a lot of time trying to layer upon layer upon layer as I wrote. I think that's often the fear of a writer, that little nuances won't get picked up.
I think of it as the lasagna approach to writing because I'm always adding layers. I'll sometimes do it layer by layer, with dialogue, attribution, action, objects in the scene, setting... It can be sometimes that delineated.
A book consists of two layers: on top, the readable layer ... and underneath, a layer that was inaccessible. You only sense its existence in a moment of distraction from the literal reading, the way you see childhood through a child. It would take forever to tell what you see, and it would be pointless.
Why I talked about political correctness: the colonial is now such a major taboo that any achievement of the colonial period, or any generosity implied in colonialism, is again fundamentally neglected or fundamentally not recognised. That's crazy, because history is a series of layers, and you cannot say, "This layer I support and this layer I cancel." History is history and you cannot retrospectively manipulate it.
So, we get into the first piece. Then, layer, layer, layer, do all of this. Then we jump into the trousers. Then I'm zip-tied in to this bottom piece and glued into the feet. So you can't get out. There is a zipper...somewhere. But it'll cost you money to find out where. And to actually make it functional, it's pretty ridiculous. So, I plan ahead.
I like to compare my method with that of painters centuries ago, proceeding from layer to layer.
Touring Seoul is like an onion that you keep peeling away layer after layer.
Life is like an onion: you peel off layer after layer and then you find there is nothing in it.
For we are all bound in stories, and as the years pile up they turn to stone, layer upon layer, building our lives.
Through faithful practice, layer after layer of the mind opens before us, and each reveals new facts to us.
It’s a trifle. It’s got all of these layers. First there’s a layer of ladyfingers, then a layer of jam, then custard, which I made from scratch, then raspberries, more ladyfingers, then beef sauteed with peas and onions, then a little more custard, and then bananas, and then I just put some whipped cream on top!
Layer by layer art strips life bare.
I've always told my children that life is like a layer cake. You get to put one layer on top of the other, and whether you frost it or not is up to you.
It's toughest to forgive ourselves. So it's probably best to start with other people. It's almost like peeling an onion. Layer by layer, forgiving others, you really do get to the point where you can forgive yourself.
My mode as a writer is to layer different perspectives: the scientific, the philosophical, the political, the journalistic. When you layer them, you get a really wholesome, interesting picture.
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