A Quote by Carl Jung
I have always tried to make room for anything that wanted to come to me from within.
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I always wanted to be a musician from when I was kid. It was always a massive dream of mine. School was also really really important to me and having an education was top of my priority. So I really wanted to have a degree before I tried anything in the music industry.
Mazhar never wanted me to grow as an individual or as an artist. He always wanted me to be with the kids and be at home. During the very first year of marriage I realised I had made a huge mistake, but I decided to live by it and make it work. I tried to make it work for another 12 years.
We could've done this anywhere, but I wanted you to see me, to see this," he said, gesturing at the room. "I wanted you to know where I come from, what I am under the choices I make.
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
I lay in my dressing room after being in make-up waiting to go on. They knew I was feeling pretty rotten and they tried to give me time to rest. But I couldn't sleep. I couldn't do anything.
I used to come from the village with all that dirt and coarse ugliness like a pain within me, and the simpering pictures in the drawing-room seemed to me like a wicked attempt to find delight in what is false, while we don't mind how hard the truth is for the neighbors outside our walls. I think we have no right to come forward and urge wider changes for good, until we have tried to alter the evils which lie under our own hands.
My parents always wanted me to learn about my culture and tried to make me eat Vietnamese food.
I've always said that to make movies, to make images and sound, is possible by one way or another. And it has not to be ruled by the Pharaohs of Egypt, the Pharaohs from Hollywood or wherever. I have tried very hard to make even a small budget picture here. It always fails. Over a dozen times. And now I know why. It was only because I wanted to be in control of the money. To spend it the way I wanted.
I really tried to make movies I wanted to see. I thought that if I was good enough, somebody would always need me.
I enjoyed a close relationship with my mother, who set a wonderful example. As such, I have always tried to be as open and honest as possible with the girls growing up. I let them know they could always come to me with anything - and I would be there to support them.
I remember hearing that the spirit was always next to you, so I would always make room in my bed for the spirit ... I'd make room for the teddy bears, Jesus and me. And then I'd wake up in the morning, and I'd squashed 'em all.
In everything I've done, I've always tried to make room for indigenous people, to include them.
I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
I always wanted praise and I always wanted attention; I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
I've always wanted to get involved in the tech industry, but hadn't come across anything that really clicked for me.
I had always drawn, every day as long as I had held a pencil, and just assumed everyone else had too…Art had saved me and helped me fit in…Art was always my saving grace…Comedy didn’t come until much later for me. I’ve always tried to combine the two things, art and comedy, and couldn’t make a choice between the two. It was always my ambition to make comedy with an art-school slant, and art that could be funny instead of po-faced.
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