A Quote by Karla Souza

I think, especially with this show [How to Get Away with Murder], we have Viola Davis and Pete Nowalk as the showrunner. — © Karla Souza
I think, especially with this show [How to Get Away with Murder], we have Viola Davis and Pete Nowalk as the showrunner.

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[Rhimes and Pete Nowalk] have definitely, from the pilot [of How to Get Away with Murder], brought forth a woman who is unapologetically herself, unapologetically flawed, and is as vulnerable as she is powerful. I'm grateful to be in that family.
Major League Baseball has created a Pete Rose purgatory, and that's where he is. And that's where he's always going to be. It's unfortunate that the commissioner's office has decided to allow that to be the reality. I don't think Pete would mind if they said 'No' to Pete. Pete wants them to go one way or the other and get him out of the void he's in.
I saw 'The Help' on DVD. I was blown away by Viola Davis: she really straddled that fine line in the plot between what was tragic and what was heart-warming.
Viola [Davis] is one of the great actors of her generation. She has one of these moments in the theater that I don't even know how to describe.
A "showrunner" as a position is a relatively new thing. It used to be the executive producer. That's not true anymore. Now it's evolved into this model where people look to showrunners and say, that guy is that show. It's just become a lot more interesting to know the showrunner and to get a sense of that person.
I love Viola Davis.
Viola Davis is just one of those actors who is never bad in anything. She could be in an awful film but you'd never come away from it saying she was bad.
It's an important moment [win an Emmy]. I just feel like I want it to happen tonight, either for myself or Viola [Davis] so we can get past it, so it's not big news anymore. I mean, it is 2015. We have a black president.
When you work in a writers room for a showrunner, you serve that story, and you serve that showrunner. I don't think it should be called writing; I think it should be called rendering content. Because you are there to render the content that is agreed upon in the room, and you're serving the voice of the main storyteller, which is the showrunner.
Every so often, it's time to make a change with a showrunner. You evaluate the creative and how the show is run and how the writing staff works, and sometimes you want to freshen the show. We just decided that it was time to do that on Community, and no disrespect to anyone.
I was working with the likes of Steve McQueen, Matthew McConaughey, Viola Davis, just running the gamut.
Viola Davis is a perfect example of somebody who's so much better than the parts she has the opportunity to play.
I would absolutely love to do something with Viola Davis or Meryl Streep. I just think both of those women fall so deep into their characters that you are no longer looking at the actresses, you are looking at the characters they embraced.
The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.
Viola Davis should be a household name. So should Angela Bassett.
I don't think you can get away with putting your talents in a toilet bowl and not having them flushed away. Forever. There is a level of murder of one's soul and of the culture that they're supposed to be feeding vitamins to.
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