A Quote by Carly Rae Jepsen

There's been a progression in my sound. — © Carly Rae Jepsen
There's been a progression in my sound.
We live in a bubble of progression, and over the last eight years [of Barack Obama], we've been a country of progression.
Unlike proportionality, progression provides no principle which tells us what the relative burden of different persons ought to be the argument based on the presumed justice of progression provides no limitation, as has often been admitted by its supporters, before all incomes above a certain figure are confiscated, and those below left untaxed.
I think for comedians, acting is their natural progression. It's all about progression.
I think, for myself, as an artist, the progression is a lyrical progression and what I choose to target my lyrics at and how I construct the rhymes.
Chord progression is progression of emotions; storytelling - taking one person from one mood to the next. We are doing the same thing within a DJ set.
I've been doing all my progression in the gym, in a very controlled scenario. It's been a confidence booster.
Since I first fell in love with choral music when I was 18 and began composing at 21, I've been listening to these recordings of British choirs. I just fell in love with that sound - that pure, clean, pristine sound - and I think it's probably been the biggest influence on my sound.
As for documentary, it was a natural progression from my earlier career in journalism. The two media are connected, but of course making films is much more complicated, because you have image, sound and music to work with, not simply words.
I've never used the word jamming. It's a matter of finding a great song and learning the chords, then slightly altering the vocal melody, and matching a classic chord progression with another chord progression.
I think my progression with tennis has been pretty steady.
I've been performing since I came out of the womb. I've been dancing and singing since I was a toddler. Acting seemed like a natural progression from that.
Everything in my life has been about sound and making music, so Beats represents just that - the improvement of sound and the dedication to everything I've been doing from the day I started.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
Acting has been my first passion, and turning a producer was a natural progression.
Any project that I put out, I never want it to sound like the first one. It can have some vibes or stuff that matches, but I want it to be growth, progression, and you can't be comfortable when you're growing. If it feels good and it sounds good, it's good.
How we sound was always the intention of how the band should sound. It has nothing with other options or going in a different direction. This has been the Evergreen Terrace sound all along and always will be.
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