A Quote by Carlo Grante
Some pianists seem to really remember the keys and not so much the notes they play. They want to learn until it's a physical habit that can be replicated. For pianists, this is much more of a problem than for other instruments, like the violin, where you actually have to think of the pitch.
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There are three kinds of pianists: Jewish pianists, homosexual pianists, and bad pianists.
I don't think I handle the notes much differently from other pianists. But the pauses between the notes - ah, there is where the artistry lies!!
I applied, and I got in as a pianist. Their idea in the music department was that pianists, if they were good enough to get in, they were good enough to learn a new instrument. They felt sorry for pianists being alone in the practice room all the time, and they really wanted to socialize us pianists.
I picked up some wonderful things just listening to other pianists that I appreciate, and that would be Herbie Hancock, Oscar Peterson, Vladimir Horowitz, and Art Tatum. Those are the pianists I really enjoy and admire.
I think I was drawn to the harpsichord because of the similarity of touch between the harpsichord and the tracker organ. When you press a key on the harpsichord, the pluck of the string gives a slight resistance similar to the feel of depressing a key on a tracker organ. Also, harpsichordists and organists use much less wrist and body motion than pianists, and we do not need the upper body muscles required by pianists.
The notes I handle no better than many pianists. But the pauses between the notes - ah, that is where the art resides.
The notes I handle no better than many pianists. But the pauses between the notes ah, that is where the art resides.
Whenever I record something, I always believe that it's worthy of inclusion in the pantheon, and I would certainly like pianists to pay more attention to it. I think it's ridiculous now, because the range of repertoire - or what's considered 'safe' - is so narrow, even though there are pianists who are really trying to push the envelope. There is still a lack of attention, and there's no reason for it. The piano repertoire is so rich, with so many wonderful things that still are not given their due.
I don't record for my own glory.I mean, of course part of it is for career advancement, but more importantly, I want some of that repertoire - as much of it as possible - to remain and enter pianists' consciousness and, hopefully, into the standard repertoire.
I'm very happy to be at City, and I would like to continue there for as long as possible. It obviously depends on my health, my quality on the pitch, and if the club want me to stay. I would like to be there until the end, but the Premier League is such a hard league to play in. It is much more physical than somewhere like La Liga, so it depends.
A violin neck is much smaller than the guitar's, so it's much easier to play wide intervals on one violin string. On the guitar, you really have to stretch to play them.
Oscar Peterson is my favorite all-around pianist. There are pianists I like because of one thing and pianists I like because of another. But overall, I like Oscar Peterson best.
As a young child, I thought that all pianists played everything. I mean, I thought anything on piano - any piano music, all pianists played it.
I really don't know whether any place contains more pianists than Paris, or whether you can find more asses and virtuosos anywhere.
I am what some would say 'holy, and wholly other than you.' The problem is that many folks try to grasp some sense of who I am by taking the best version of themselves, projecting that to the nth degree, factoring in all the goodness they can perceive, which often isn't much, and then call that God. And while it may seem like a noble effort, the truth is that it falls pitifully short of who I really am. I'm not merely the best version of you that you can think of. I am far more than that, above and beyond all that you can ask or think.
I'm always happiest trying new instruments - and honestly enjoy playing, say, the glockenspiel with Radiohead as much as I do the guitar. I think regular touring has forced me to play the guitar more than anything else, which is why I'm probably most confident playing that. And whist I'd be lost if I couldn't play it too, I dislike the totemic worship of the thing... magazines, collectors, and so on. I enjoy struggling with instruments I can't really play.
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