A Quote by Carlos Fuentes

Don't classify me, read me. — © Carlos Fuentes
Don't classify me, read me.
Don't classify me, read me. I'm a writer, not a genre.
Grades were important in our house. I was reading by two. My mom would sit there and read with me, read with me, read with me. It was wonderful.
That authentic experience that happens both in the artist and in the audience you can classify as a mystical experience. You can classify it as aesthetic shock, or even a psychedelic experience. Some people seek to recreate that experience through drugs. But the other way that you can do it is through art, and through spectacle. We have those experiences when we go to rock shows, or when we listen to a piece of classical music, or read a particular poem, or see a painting.
Iwas not a reader at all, not until I discovered 'The Hobbit.' That changed my life. It gave me the courage to read. It led me to the 'Lord of the Rings' series. And once I'd read that, I knew I could read anything because I had just read thousands of pages.
I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.
It's funny, because people always say when they meet me, having read me - or they read me, having met me - that they are struck by how the tone is pretty similar, in real life and in the books.
I don't read a word that's written about me. I don't read my own interviews. I don't read reviews. I think it would drive me insane.
I'd read things, like people criticizing me. But no one likes to read stuff about that, and probably the main thing that was getting to me was me mum's illness.
Promise me that if I ever get Alzheimer’s or dementia, and I don’t remember anyone that you’ll visit me every day and read to me like Noah read to Allie.
I began writing poems when I was about eight, with a heavy assist from my mother. She read me Arthur Waley's translations and Whitman and Robinson Jeffers, who have been lifelong influences on me. My father read Keats to me, and then he read more Keats while I was lying on the sofa struggling with asthma.
I guess sci-fi was like my candy growing up. My dad always thought it was important for me to read an hour or two every night. And if I got stuck or didn't want to read, sci-fi was sort of the thing you'd give me to spur me on to read that evening.
My grandmother taught me how to read, very early, but she taught me to read just the way she taught herself how to read - she read words rather than syllables. And as a result of that, when I entered school, it took me a long time to learn how to write.
I read like an animal. I read under the covers, I read lying in the grass, I read at the dinner table. While other people were talking to me, I read.
At times, I have been criticized by some philosophers of education, who place me in postures that they classify pejoratively as 'revolutionary.' But I have had the satisfaction of being invited to work in societies making progressive efforts without wavering. They were changing, and so they called on me.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
I don't want to give you the opportunity to find a box to put me in, figure it out later. When the records come out song by song, you'll hear it and get to determine how you want to classify me.
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