A Quote by Carlton Cuse

The Following and Hannibal are really well made, but the tone is very consistently dark. — © Carlton Cuse
The Following and Hannibal are really well made, but the tone is very consistently dark.
Our idea for Hannibal Lecter is that he's very reactionary - he's somebody who can adapt really well to circumstances.
I think because it is a very well-saturated story,episode of Justified in Hannibal, and we've all heard it in some frame of a story, we've heard the urban legend of waking up in a bathtub with a kidney missing. It felt like if we are telling an organ-harvesting story, it was really about quickly selling the iconography of an organ-harvesting story, and then being able to mask that as a perfect way for Hannibal Lecter to go shopping for his menu.
Much of a leader's responsibility in creating a positive, high-performance culture is setting the right tone and acting on it consistently. That day-to-day execution - the tenor and tone - really makes the difference. One deviation - one exasperating meeting - and the CEO legitimizes bad behavior.
For Hannibal, it's really about food as art and also, Hannibal's specific brand of art. And I guess I'm a bit of a foodie.
I'll just say that I made my own explorations of tone by listening to a tone for a long time until I began to understand what my sensations were, what my mind was doing with tone.
Well, life is dark. We live in a very dark world. When they call them "dark films" it annoys me, because they're very real stories. They're stories I have seen or experienced or witnessed, and coming from that place, that is the hope of humanity.
When people ask me what my dream role would be, I tell them that it's to play someone very dark. Very dark - like someone involved in the drug world or some other criminal venture. Maybe someone who's delusional or not all there or just not well. I really hope I can do that one day.
It's a very appropriate show to be doing around Halloween because it's very dark and mysterious. There are some great chorus scenes and some dark stuff and funny stuff as well. It's a really perfect balanced show in many regards.
I just see many, many untruthful things. I see tone, the word tone. The tone is such hatred. I'm really not a bad person, by the way.The tone is such - I do get good ratings, you have to admit that.
After The Silence of the Lambs and Hannibal, the audience would like to know where, when, and who arrests Hannibal Lecter for the first time. This is the story of Red Dragon.
I feel like there's a lot of beauty in the darkness of 'Narrow Stairs,' but that's not really a place I'm ready to go to for a while. I'm interested in taking a different approach and having the next record be different in tone - I'm just not interested in making another dark, dark album.
Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.
The two candidates have very different visions of America. Donald Trump's is very dark: Things are not going well. There are dark days ahead unless you make a change, and he's the one to fix it.
When I started to play consistently and produce consistently, that's when I knew that I could compete and do well in the big leagues.
'Heavy Rain' was really close to a dark thriller, like 'Se7en.' 'Beyond' is different in terms of tone.
I got to a really dark place when it came to wanting to be tanned, really disliking my natural skin tone. I was listening to the wrong people and all sorts of people were passing judgement on my appearance.
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