A Quote by Carolyn Chute
You go through your life feeling like an outsider, and you respond to society in a different way when you feel like an outsider.
Related Quotes
I've always felt like an outsider, and I'll probably continue to always feel like an outsider. Hopefully that's a good thing. I feel like I approach things differently than other designers.
I've always straddled a weird line - there's a lot of mainstream stuff that I love. At the same, I still feel like an outsider. I'm the outsider who's on the inside.
I’ve always been a sort of self-imposed outsider, not a geeky outsider or a snobby outsider but, I just have a natural desire to live on the fringe. I’m not like a weirdo with a trench-coat but I just prefer to be alone or minimally surrounded by people.
I tend to write about people. I look at things from the bottom up and from the perspective of outsiders. A part of me just identifies with them. It's my messed up internal nature that I always feel like an outsider. It's just my nature. At film festivals, I was an outsider for sure, but I always felt like one as well. I have that feeling at parties, too. I don't belong there.
I've never thought of myself as an outsider but the more I'm around people, it appears to be that I'm an outsider. When they look at you and go, "What planet did you drop in from?" I don't know, but it's always been like that.
Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.
The feeling of being an outsider was a big part of my childhood. I think that helps comedians. That feeling of being an outsider. That desire for a perspective that's all your own. The idea for me to make stuff myself with my own meaning came from that as well.
I look for a thematic idea running through my movies and I see that it's the outsider struggling for recognition. I realize that all my life I've been an outsider, and above all, being lonely but never realizing it.
In so many roles I've played the outsider. As an outsider, you have more energy to succeed simply because you are an outsider. There are scripts floating around but they're not coming my way and I think that I am getting a little bit too old to play Napoleon. But if I was ever offered the role I would grab it.
The thematic core of X-Men is tolerance. It's that for those of us who are different in any way - in a big way - whether it's you're a minority, you're a woman, you're a Muslim, you are suppressed or marginalized; it can go the whole spectrum, but even if you are shy or you feel like an outsider, and X-Men are outsiders.
The thematic core of 'X-Men' is tolerance. It's that for those of us who are different in any way - in a big way, whether it's you're a minority, you're a woman, you're a Muslim, you are suppressed or marginalized - it can go the whole spectrum - but even if you are shy or you feel like an outsider - and X-Men are outsiders.
Alan Turing, to me, always felt like an outsider's outsider.
No matter what you eventually become - free, empowered - the lingering feeling of 'once an outsider, always an outsider' is very vivid for me.
As to describing me as an outsider throughout, and an outsider through and through - I have no reason to disagree.
I think being an outsider in general always helps you in comedy. I think it helps to have an outsider's eye. And so I have an outsider's voice. You know, as soon as I start talking, I don't belong here. And I think that helps in a way.
I've felt like an outsider all my life. It comes from my mother, who always felt like an outsider in my father's family. She was a powerful woman, and she motivated my father.
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