A Quote by Katrina Kaif

Actually even at the beginning of my career, I never felt rejected. I was still working hard and believed in myself. I wasn't in a hurry and was picking and choosing projects carefully even then when I was just a newcomer. My attitude towards films hasn't changed even after these years.
When my record company rejected 'Full Moon Fever', I was hurt so bad. I was pretty far along in my career at that point. I'd never had anything rejected; I'd never really even had a comment. So when that happened, it was really just a board to the forehead. But then, finally, I picked myself up.
There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.
Readers have actually changed the way I've done things, changed the course of my career even, about four or five times. Just from reader feedback.
When I was younger, I thought, 'Ok, I'm supposed to do this project because it'll help my career,' but that didn't work because I ended up doing movies that I worked really hard on but I didn't really like and they didn't turn out well, so it was like I lost double. Once I just started working with people and projects I believed in, everything changed and I suddenly had a career that I loved and that I was proud of.
What I should like to find is a crime the effects of which would be perpetual, even when I myself do not act, so that there would not be a single moment of my life even when I were asleep, when I was not the cause of some chaos, a chaos of such proportions that it would provoke a general corruption or a distubance so formal that even after my death its effects would still be felt.
For many years, I was on working on films which were so small of a budget that I could not even build a set. So, when I was finally able to work on set, it was a rewarding moment. I felt the same feeling when the camera changed from 16 mm to 35 mm.
When you work towards your goals, you become healthier and healthier, mentally. It is very hard to do with a negative attitude. You just need to become more and more positive. And then you start to succeed. And starting to succeed is like winning a race and having the audience cheer. That makes you feel happy and motivates you to work even harder and achieve even more.
Even the men most richly endowed with ability, education, and opportunity, even the giants of the race, after the completest life possible, feel, as they stand on the edge of the grave, that they are but human acorns with all their possibilities still in them, just beginning to sprout.
In the beginning, I thought it would be really glamorous, working in fashion. But it's actually quite hard. You don't even know half the stuff that goes on backstage.
I won't play any blame games for my films that didn't work. But I've been working towards getting good roles. Even Abhishek Bachchan became a superstar after delivering 17 flops.
The general public, they get bored. There's no interest because they think, or they know, Demetrious Johnson will always win. And I've always said, even after that loss to Demetrious Johnson, even after he beat me, I said I felt him a little bit. I still believe I can beat him, even after being knocked down the first round.
I was 16. I went, auditioned, and then they called me and they were like 'can you fly to Korea within two months?' And then my whole life changed. In Australia, I dropped out of school. I had never even imagined myself living apart from my family. I hadn't even slept more than two weeks out of home.
With sports and games, you have fun despite working very hard, even despite failing repeatedly. Even the fun of a night out, you have to get somewhere and do all the conversational, social work of being out. There's effort involved. But then when you're finished, you can conclude, "Actually there was something gratifying about the hardship that I just encountered." That discovery of novelty is where the molten core of fun is.
If you told me thirty years ago that people would be parodying documentary films, I never would have believed it. It wasn't clear that the films themselves even had an audience, let alone an audience for parodies of them.
Well, the movie isn't bad. For a while, I even told myself I liked it, even as it missed one mark after another. But in the end, it's shapeless and blandly apolitical, apart from its watered-down feminism. You see, Fey's Kim Baker - changed from Barker - transforms herself from a neophyte reporter, condescended to by male war correspondents, soldiers and Afghan officials, into a hard-charging political animal who speaks the language fluently and parties as hard as men. That's about as edgy as a sitcom.
When things don't work out, it actually excites me even more. I always believe that something better will happen and that's why things are not working out right now. That's been my attitude towards everything that I do.
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