A Quote by Kaui Hart Hemmings
Jonathan Franzen seems like the grumpiest guy, and he doesn't seem to like much of anything, so I really don't care what he has to say.
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I'm like a unicorn; I'm a midlist writer who hasn't done anything else but write. But because I wasn't amazingly famous, I didn't become Stephanie Meyer, or even a huge literary name like a Jonathan Franzen or a Joshua Ferris.
People like Ian McEwan and Jonathan Franzen completely bore me.
Of all the pitfalls in our paths and the tremendous delays and wanderings off the track, I want to say that they are not what they seem to be. I want to say that all that seems like fantastic mistakes are not mistakes, all that seems like error
is not error; and it all has to be done. That which seems like a false step is the next step.
Take Jonathan Franzen's work: it's just old wine in new bottles. They say he's the Tolstoy of the digital age, but there can only be a Tolstoy of the Tolstoyan age.
I have been to anger management twice. After the first session the lady was like, 'Baby, you don't seem that angry at all. You seem like a really nice guy.'
I don't care if the average guy on the street really knows what I'm like, as long as he knows I'm not really a mean, vicious guy. My friends and family know what I'm really like. That's what's important.
Your basic, well-made novel by Ian McEwan or Jonathan Franzen just bores me silly.
I don't watch a huge amount of telly. I read a lot. I'm reading at the moment 'Freedom,' by Jonathan Franzen, a great big brick of a book, and I'm loving it.
I love to read. And right now I'm on my last hundred pages of 'The Corrections' by Jonathan Franzen, and I really enjoyed it. His writing is just - he's one of those writers where you just go, 'There are people just meant to be novel writers.'
We've all been there, where it seems like all the cards are stacked against you, and you can't seem to do anything right. But you still have to say to yourself, 'You know what? That's not going to stop me. I still have to find a way.'
I enjoyed Jonathan Franzen's 'Freedom.' Would I make that into a film? I think it's better suited to television. That would very much be a dialogue and performance piece, and it would take some very skilful direction - but not my kind of directing. But I thought it was a real literary work.
I'm sorry, those pictures from the Abu Ghraib. At first, they, like infuriated me, I was sad. Then like, a couple days later, after they cut the guy's head off, they didn't seem like much. And now, I like to trade them with my friends.
I'd really like to work with Johnny Depp: he seems like a really cool guy; he can do a lot of different things.
I'm not a big AA guy, but I'll go every once in a while. They do tell you that going out and helping other people really helps you a lot. It seems like a simple thing to say, but it's really true.
(Talks about a school production) 'There was one solo; but it was a guy. It was this character called 'Freddy Fast Talk' and it was the bad guy. I didn't care, I was like I will dress up like a guy, I want to sing that song. And so I remembered we drew on eyebrows, and I had like a moustache,and we put all my hair up in this hat. So I dressed like a guy and sang the solo.
Sylvester Stallone seems like a really cool guy, and Dolph Lundgren seems awesome.
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