A Quote by Quentin S. Crisp

I really think [William] Burroughs was onto something here, when he said, "Dreams are a biologic necessity and your lifeline into space." — © Quentin S. Crisp
I really think [William] Burroughs was onto something here, when he said, "Dreams are a biologic necessity and your lifeline into space."
Norman Mailer thinks William Burroughs is a genius, which I think is ludicrous beyond words. I don't think William Burroughs has an ounce of talent.
I tell this anecdote with tongue in cheek at the start of my book William Burroughs and the Secret of Fascination, but my academic involvement with Burroughs was entirely due to my tutor at Oxford, Peter Conrad. I was discussing with him the idea of staying on to do graduate work and when I tossed the name of Burroughs into the conversation - well, he let it fall loudly onto the floor, and proceeded to cross himself as if warding off an evil spirit. Since I was very ambivalent about an academic career in any case, that decided it for me.
When I was young, I knew William Burroughs really well. And William's secret desire, which he never quite did, was to write a straightforward detective novel.
danger is a biologic necessity, like dreams. if you face death, for that time, for the period of direct confrontation, you are immortal.
Hold onto your dreams 'cause they're always worth havin'. Hold on to your dreams til the day your life is said and done.
I knew William Burroughs really well, and I was always star struck being around him. I adored him.
I think we all need to believe in hope: that if we have dreams and if we have ambitions and if we have skills and talents - that if you really put your heart into something and you work at it hard enough - that you can make your dreams come true.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
I was suckered in by the myth of the man [ William Burroughs] as much as by his work.
Origami Striptease reads like William S. Burroughs and Djuna Barnes howling at a brutal paper moon.
People talk about this often in the art world. The press releases have reached a level of absurdity and creativity - creative absurdity - that has completely detached from its intended object. It's left reality behind long ago. It's like something out of William Burroughs.
I met William Burroughs in 1971. I got his address through a magazine and went to London to spend time with him.
Like many nonconformist and beat generation writers, William S. Burroughs takes the outcasts of society as his theme.
I think for a lot of people, the financial barrier is the biggest leap you have to take to follow your dreams. A lot of people don't want to stick their necks out and take that risk, which is totally understandable - I think for a lot of people it doesn't happen because it's not a necessity. Unless it's a necessity to do this, it can be a pretty scary process.
All of William S. Burroughs friends pushed it forward and introduced me to one another. I was able to enter into that beat family for a while and document it.
William H. Macy has said, and I don't think I can quote him verbatim, but he's said many times before to not buy into the hype, the Hollywood appeal. To find yourself as a person, as a family man, to find your own happiness, and not to allow your ego to get in the way of your work.
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