A Quote by Quentin S. Crisp

I would say that, apart from being a writer, I have also always been very conscious of the idea of a 'world elsewhere'. — © Quentin S. Crisp
I would say that, apart from being a writer, I have also always been very conscious of the idea of a 'world elsewhere'.
I always wanted to be a writer. Maybe, had I been brought up in another generation, I might have just gone into writing rather than medicine - which is not to say that I didn't also have a great attraction towards the idea of being a healer. Fortunately, I've been able to combine the two in ways I could never possibly have imagined.
I've always been athletic. Growing up in Puerto Rico, and being in the countryside, I was always running around. I also played volleyball, basketball, and I ran track. I was always very conscious of my body.
There is and always has been for me a peculiar need to write. This is very different from wanting to be a writer. To be a writer always seemed something so far removed from my talents and abilities and imaginings that it didn't afflict me at all as a notion when I was young. But I was always conscious that I wanted to write.
I think it's very, very, very hard to get a book published. I never want to be one of those teachers that say, 'don't do this, ' because how sad would the world be if people didn't create art and write? But, it's not an easy journey being a writer.
I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.
As a writer myself, my job has very often been to also write on the job. So you get the script and a vague idea of how the scene might work, and you then add funny words or change the script. I'm not the world's best writer or the world's best actor, but I can do that thing where I can fix - or ruin - fix-slash-ruin, add quirk, add value.
In fact, everywhere in the world there has been a flux between big and small societies. Big political units are constantly being formed, later to fragment. The individual pieces try to pull apart, and then they join together again. One sees that in Europe: There have been unifications and then dissolutions and reunifications. So in the long run, it's 10,000 steps toward amalgamation offsetting 9,999 steps toward falling apart again. In businesses and industries, I would guess that's also true.
I kind of shy away from that idea of being an actress because it seems to me to be such a cliché. Also, if you want to be a serious actress, then it's quite difficult to make that transition without being the blond bimbo in the opening credits. Maybe I'm being idealistic about acting and the idea that they would hire people purely based on their talent and not on their looks. But I don't know if I would be a very talented actress anyway.
When I came into consciousness as a writer when I was in my early 20s, I just assumed that a writer did - a poet writer did everything all at once. I would write poetry, and while writing poetry I would also write work in the world - if I could get into the world.
It has been true in Western societies and it seems to be true elsewhere that you do not find democratic systems apart from capitalism, or apart from a market economy, if you prefer that term.
It has been true in Western societies and it seems to be true elsewhere that you do not find democratic systems apart from capitalism, or apart from a market economy, if you prefer that term
I scarcely remember any writer who has ever ventured to say that the half of the work of the world is actually accomplished by women; and very few husbands who would be otherwise than greatly startled and amazed, if not indignant, if not derisive, at the suggestion of such an idea as that the work of their wives was equal to their own.
I figured that to be a writer I would need to have been born in the nineteenth century, be British, or have three names. So I turned my sights elsewhere . . . to acting.
I know, for me, that I have always been very conscious of how I dress when I go to the studio, I'm very conscious of my body language when I'm working - a lot of times, I'm the only female in the room. It's a very male-dominated profession. I'm always around guys. Guys are going to try you all day, and they're going to flirt all day.
I used to object to being called an Indian writer, and would always say I was a writer who happened to be an Indian, and who happened to write about Indians.
Not strict, no - but I've always been very conscious about just being healthy and taking care of myself.
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