A Quote by Kevin Durant
Everybody. No matter how they feel about me, everybody on Oklahoma City, on that team, of course I watch them. I support them. I want them to do well.
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Everybody watches free-kicks, and when you watch them, you enjoy them. You have got to learn how to shoot and connect with the ball and how to move your leg. For everybody, it is different, but if you want to score lots of goals, then free kicks is an extra way to do that.
Everybody has a secret world inside of them. I mean everybody. All of the people in the whole world, I mean everybody — no matter how dull and boring they are on the outside. Inside them they've all got unimaginable, magnificent, wonderful, stupid, amazing worlds... Not just one world. Hundreds of them. Thousands, maybe.
I've chosen a life that's so different from everybody else's that it cuts me off from them. Practically everybody I know treats me like a guest celebrity. Of course it's my own fault. I feel so damn alone sometimes, I feel like I could just float away into the stratosphere and everybody would stand there looking up at me and not one would haul me back down to earth. No ropes.
A few brands have asked me to design shorts for them. I'm not sure about that. I don't want to have them as a mass product, and suddenly everybody is walking around in them.
All my teammates, everybody, they trust me and empower me. I just wanna thank them for allowing me to lead them. And then my family, my wife, my son, everybody, like everybody, has played a part in helping me continue to become the best version of me on and off the court.
Of course I support England - and I follow Birmingham. I am an avid football fan, and obviously, I have a connection with Arsenal, so I like to watch them, too. I think anyone who is English follows the men's team and wants them to do well, and I'm an avid follower of any football, really.
I have a brilliant sound design team who's been working with me since 'Mr. Robot,' and one of the things we always think about - and it's also something we think about with cinematography - is how we get inside the characters' heads and how do we place the audience where we want them to be or how we want them to feel at any given moment.
Everybody always asks me about carries, what I thought about it, how I felt, but when you got teammates like that who love you and care for you, it don't matter how you feel or how bad it hurts, you've got to make sure you're making those guys happy by helping them win, getting a victory.
If you love people, if you love the country, if you believe that everybody in the country contributes to making it great - if you love everybody and you want the best for them and if you know how they can achieve the best for them - you can't be afraid to tell them.
No matter what as an artist that's always what you want to do, you want to connect to the audience, you want to be able to send whatever message it is that you're singing about, you want to be able to convey that - and not make them feel - you want them to feel it, you want them to feel what you feel.
Everybody has a little bit of the sun and moon in them. Everybody has a little bit of man, woman, and animal in them. Darks and lights in them. Everyone is part of a connected cosmic system. Part earth and sea, wind and fire, with some salt and dust swimming in them. We have a universe within ourselves that mimics the universe outside. None of us are just black or white, or never wrong and always right. No one. No one exists without polarities. Everybody has good and bad forces working with them, against them, and within them.
Everybody has their own way of remembering and every culture has their traditions. When you compare the similarities and differences to other cultures, you start to learn about them and appreciate them. Whether it's the Japanese or the Africans, they all have ways of conjuring spirits and the support of those who have gone before them.
If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.
Doing Much Ado was such a special thing because I knew everybody involved. With people you hadn't worked with before, you would watch them on shows and want to work with them.
The success-haters. That's what I call them -- the people who have never got what they want and turned sour on everybody who has. The world's full of them. As soon as you've made good they begin to watch for you to fail.
If someone comes to me and says they're not capable of being loved, I want to reach out to them and tell them that everybody's loveable. If a man is forced or wants to become a better man, then I root for him. Everybody needs to be loved.
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