A Quote by Kevin McCloud
If I welcomed people into my lovely home every week in the pages of a magazine, they'd soon see how incredibly dull it is. It's important to maintain a bit of mystique.
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It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
If I'm working in the city, then as soon as I'm home, I try to lock in on my son for a few hours. Every day. I see how important it is that he's starting to come into my world now. It's just an effort to give him that male mode of being.
I'm more inclined to linger in the science pages of 'The Week' magazine. But my principle obsessions are still watching sitcoms and football.
When I was about 8, I used to go into one of the rooms in the mansion, and I would open a magazine like the 'Ladies Home Journal,' and I would see these characters on the pages and then become them, talking back and forth.
Every week, there's a different twist and turn you're not going to see coming, and how you handle that is important.
Luckily my fans are so lovely and I haven't really had to - what's the phrase? - "Clap back at the trolls?" Every now and then I do get a troll that mentions my skin color and calls me ugly names, though, like "Dark Monkey." Most of the time those people have their pages blocked, or you can't even see their profile picture. I can't focus on that. What I've realized is that I have the power to control how I feel about what they say.
I found that many gifted people are so afraid of writing a poor story that they cannot summon the nerve to write a single sentence for months. The thing to say to such people is: "See how *bad* a story you can write. See how dull you can be. Go ahead. That would be fun and interesting. I will give you ten dollars if you can write something thoroughly dull from beginning to end!" And of course, no one can.
The books people are writing today, they're too long. You get a little bit of plot, and then pages and pages of Creative Writing. They teach classes in how to do this. They should teach classes in how to stop!
It's hard: For someone who travels as much as I do - who has to make her living on the road eight months out of the year - relationships are incredibly important. But at the same time, they're incredibly hard to maintain.
I don't really relate to myself as The Girl in the Magazine. Which is dangerous for me, too, sometimes, because I don't think all the time, 'Well, look to see if people are following me home.' Sometimes I'm a little bit more free than maybe I should be.
I'm so used to artists saying to me, "Listen, I'm going to have five pages done next week," and then three weeks later I'm phoning them, begging them for two pages. And Stuart [Immonen]is a guy who will promise you five pages and deliver six pages, and the six pages are even better than you could have ever imagined.
I could see no position to say, 'I'm going to make a living as a writer.' But I went to classes for it; I read every play in 'Theater' magazine. I saw the second acts of everything on Broadway - I had a job as a CBS usher in New York City, and on my way home every night, I'd see what shows I could get into.
I see it every day: People trying to create a home that somebody else tells them they should have. I don't care if it's a magazine or a bossy friend - when somebody says, 'This is what's elegant, this is what's trendy,' if it doesn't represent you, you're not going to be happy.
For a writer, working in television is an incredibly rewarding medium. You're in charge of all aspects of production and get to see your vision come to life every week.
I run our Twitter and Facebook pages, because I feel it's important to maintain a personal relationship with fans.
Peter was dull; he was at first Dull; - Oh, so dull - so very dull! Whether he talked, wrote, or rehearsed - Still with his dulness was he cursed - Dull -beyond all conception - dull.
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