A Quote by Kevin Morby

As far as dream venues, I've played all the venues I'd love to play. — © Kevin Morby
As far as dream venues, I've played all the venues I'd love to play.
In L.A., we played rock venues because we had a band, which hip-hop venues couldn't accommodate. And within that, we created a show which we could put on in front of anybody.
My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.
There's something about small venues that's amazing for developing material. It's almost like you can not only hear people's response, but you can understand it. In bigger venues you lose that, but you gain this sense of camaraderie in the audience.
Back in the early 1980s when rappers couldn't perform in the fancy venues because the police were too racist and scared, it was the punk venues letting them in to perform.
Americans are opting out of public venues like the playground and the sidewalk for private venues like the healthclub and the mall. We're living our lives inside one form of corporation or another.
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
We're thrilled to play an offbeat place. Our music fits with it. I love playing unusual venues.
We used to wrestle every night, 385 times a year. For ten years. 365 days. Never had any holidays off, ever. Holidays were always two-day venues. Two event venues. Afternoon and night.
I already achieved my dream by fighting at Madison Square Garden for my second pro fight. I felt like I won the world title already, and I only had two professional fights. Madison Square Garden stands alone as far as boxing venues are concerned, and I dream about going back there again.
I never played coffee shops; I just played a lot of coffee shop-sized venues. I took every venue I could get my hands on.
I sent a lot of the e-mails out to venues and tried to get shows and tried to get people interested in it. It can be a tough thing, because you know these people at venues are getting e-mails like that every day, but I think just my experience in working in running a radio station.
We'll always play different venues. We'll play small clubs or stadiums or things in between.
You know, I play in small, intimate venues; I'm not an arena performer.
I prefer to play in smaller venues because I like the intimacy, the connection with the audience.
I love the intimacy of venues like the House of Blues. When everyone is packed in and so close to you, it makes you play differently. It's so much more fun to play because there's so much more high energy in a place like that.
I've gotten to play some cool venues, like at an aquarium in La Jolla, California.
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