A Quote by Kevin Sessums

I think I just felt a sadness at some points in my career that what is available to a straight writer is not available to a gay writer. — © Kevin Sessums
I think I just felt a sadness at some points in my career that what is available to a straight writer is not available to a gay writer.
I am a gay writer, but I am also a Scottish writer and some days a lazy writer, or a funny writer. Being gay is just a part of who I am.
Reason is a fine thing, but it is not the only thing available to a writer. It's just part of the arsenal of many things available to a storyteller. Revelation, for example.
The consciousness-expanding drugs - the hallucinogens, such as cannabis, mescaline, LSD, Psylocybin - I think are useful to a writer up to a certain point. That is, they open psychic areas that would not otherwise be available to the writer. But I feel that once these areas have been opened and the writer has reached them, he is able to get back there in the future without the drug.
I don't buy into the idea that an Irish writer should write about Ireland, or a gay writer should write about being gay. But when I found the right story, I saw it as an opportunity to write about being a teenager and being gay. Most people, whether you're gay or straight or whatever, have experienced that relationship where one person is much more interested than the other.
I wanted to become a writer and felt that poetry was perfected language, so having it in my subconscious mind would make the music of language always available to me.
I have done a bit of recording and the songs are available on iTunes, and I've got some nice comments. It's something I enjoy doing, but I'm not looking for a singing career any time soon. As long as one person gets enjoyment out of it, I'm happy to make it available.
One of the most useful parts of my education as a writer was the practice of reading a writer straight through - every book the writer published, in chronological order, to see how the writer changed over time, and to see how the writer's idea of his or her project changed over time, and to see all the writer tried and accomplished or failed to accomplish.
Any adjective you put before the noun 'writer' is going to be limiting in some way. Whether it's feminist writer, Jewish writer, Russian writer, or whatever.
I don't know a writer who doesn't feel some sense of glamour and magic and a complex, wistful sadness emanating from the expats of the twenties in France. Some of the sadness, of course, is that we weren't there.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
A straight writer can write a gay novel and not worry about it, and a gay novelist can write about straight people.
I think my family's watched me over the years in my career, in my pursuit of my career, and they've seen the challenges and the struggles that come with being an actor, with being a writer and a director, and the challenges of morphing my career in from just being an actor into a writer/director.
As a freelancer, as a writer, and running my company, people have always tried to negotiate me down. Some might think that I might accept their offers because they think I don't have many options. The truth is, I always have options available to me.
And at the end of the day, there was an attempt to suppress a book. The book wasn't suppressed. It's freely available in whatever it is, close to 50 languages. There was an attempt to suppress the writer. And I'm happy to say the writer wasn't suppressed.
Oh, I love labels, as long as they are numerous. I'm an American writer. I'm a Nigerian writer. I'm a Nigerian American writer. I'm an African writer. I'm a Yoruba writer. I'm an African American writer. I'm a writer who's been strongly influenced by European precedents. I'm a writer who feels very close to literary practice in India - which I go to quite often - and to writers over there.
it is through the ghost [writer] that the great gift of knowledge which the inarticulate have for the world can be made available.
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