A Quote by Kevin Spacey

I write a lot about my experiences and the people I meet. Ive got a lot of material. But a book about me? It seems sort of odd. — © Kevin Spacey
I write a lot about my experiences and the people I meet. Ive got a lot of material. But a book about me? It seems sort of odd.
I write a lot about my experiences and the people I meet. I've got a lot of material. But a book about me? It seems sort of odd.
People that have had genuine abduction experiences that Ive met that seem very genuine to me, but theyre just confused about why it happened. Ive met a lot of people like which I regard as being very genuine... but theres a lot of crazy people out there.
I got to meet Andy [Hertzfeld], and he sort of opened his life to me. He showed me Palo Alto and we had food together and I met his wife and saw his home. We talked a lot about his experiences, and I just tried to absorb as much about him as I could.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
I am a person that is very curious about what is going on in the world and there are a lot of subjects to write about, you meet a lot of interesting people. But one idea will be there and it will show up without any logic. It is a book that has been written in my heart before it is written into sentences.
I've got my interests and my life experiences as I'm putting lyrics together. And if you start looking at patterns, you start thinking, 'Well, what am I really singing about here?' A lot of it seems to be a battle for some freedom against oppressive forces. That seems to be a theme in a lot of the albums I've done.
I write about kids growing up, I write a lot about schools and parents, and all of my experiences with those things have been suburban experiences.
Whenever I write about motherhood - and I write about it a lot - I am drawing on my experiences as a mother and also my experiences as a daughter.
There's a lot about being "A Writer" that has nothing to do with writing. That's one thing I've discovered. You've got to meet with the sales force, and you've got to have all these luncheons, and be gracious, and you've got to give a lot of presentations and you've got to give a lot of speeches, and you've got to be on tour.
I wanted to write a book about poverty that wasn't only about the poor. I was looking for some sort of narrative device, a phenomenon that would allow me to draw in a lot of different players. I was like, 'Shoot, eviction does that.'
There's a lot of material from my life in my books, but they're not really autobiographical, in the sense that they're not about my life. So, in 'A Feather on the Breath of God' I write about my parents, I write about this Russian immigrant, I write about the world of dance, but it isn't an autobiography; so much is left out.
I write about personal experiences. I write about things that have happened to me and the people around me, so you just sort of keep this antenna up and on the lookout for things to say.
I write about my experiences, so a lot of times, I do write about people.
I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.
I don't really read a lot of newspapers. I don't pay attention to what is being said or written about me. I've had lots of experiences in the past when I got too much into it. That sort of diverts your focus.
But a lot of times, people die how they live. And so last words tell me a lot about who people were, and why they became the sort of people biographies get written about.
This site uses cookies to ensure you get the best experience. More info...
Got it!