A Quote by Kane

My favorite movie of all time is 'The Silence of the Lambs.' I think Hannibal Lecter is the scariest movie monster ever because he's smarter than you are. — © Kane
My favorite movie of all time is 'The Silence of the Lambs.' I think Hannibal Lecter is the scariest movie monster ever because he's smarter than you are.
After The Silence of the Lambs and Hannibal, the audience would like to know where, when, and who arrests Hannibal Lecter for the first time. This is the story of Red Dragon.
My favorite movie villain? Oh, that's easy. Hannibal Lecter.
I've seen 'Silence of the Lambs,' like, fifty or sixty times. That's my favorite movie of all time.
When I'm channel surfing, and 'Silence of the Lambs' comes on, I have trouble turning it off. I wouldn't say that about 'Beautiful Mind.' It's a good movie, but I'm much more in awe of what Jonathan Demme did with 'Silence of the Lambs.'
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
Back in the '70s, like one of my favorite movies ever was 'The Bad News Bears', and that was a kids' movie, but I don't think of it that way. I think of it as just a great movie because Walter Matthau was so funny and so harsh with those kids.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
I think I'd have to say that 'The Shining' is my scariest movie ever.
I think one of the things that was a huge surprise to everyone with 'Silence of the Lambs' was that that was an Oscar-winning horror movie. It struck such a nerve with audiences that it was a very particular, special experience.
I lived around the man who was the model for Buffalo Bill in the movie 'Silence of the Lambs.'
By the time I got to 'Silence of the Lambs,' I was madly in love with close-ups because I'm madly in love with actors, and a basic premise of 'Silence of the Lambs' is the story about two people fighting their way into each other's heads.
John Logan was kind of wrapping up - "Well, thanks for coming in..." - and I thought, "Oh, God, this is over and I'm out of here, and I really don't want to leave."So I said, "Can I ask you a question?" He said, "Sure." "What movie do you think you've seen more than any other movie?" And he said, "Wow, let me think about that. I guess probably The Searchers." And I said, "Well, oddly, that's the movie I've seen more than any other movie." And I wasn't just BS-ing. It's true. It's my favorite movie.
The scariest movie I have ever seen, and my favorite horror film is, 'The Exorcist.' It is a must-see horror/thriller classic. I watch it every couple of years.
Christian audience, I think, have grown very tired of movies that try to pander to them. For instance if someone goes, "Ok, we're designing what we're going to do with this movie. It's a Christian movie and they'll eat it up." And you know what? Consumers are smarter than that. They go, "The movie isn't that great and he thought that I would just be a sucker and plop my $10 down for it?" Because you're looking down at the audience. You can't pander to an audience.
Every time you try to make another movie, you never know what will come of it. I can't say it ever gets easier, but it is in it's own way gratifying. I think that because no one movie that you make ever quite satisfies you, you're always feeling, "Next time I can get it right."
I think 'Dead Poets' was probably my favorite, just to get started with the idea of doing a movie that people treated as more than a movie.
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