A Quote by Kate Beckinsale
What's considered ideal in Hollywood is completely different than anywhere else in the world. I don't think you can aspire to it, nor can I. Everybody is retouched, stretched, lengthened, slimmed and trimmed. I could look at a picture of myself from the past and think, 'Why don't I look like that now?' It's because I never have!
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For me, the teen years were all about searching for a place for myself, wondering why I seemed so different than everyone else, wondering especially why no one could look past the surface and figure out who I really was underneath.
I think I would love to do a role where I completely transform myself and look completely different, act completely different, and do some crazy, cool, action drama where I was undercover and saving the world.
There's a lot of projection that if you're in service then you shouldn't look good. I'm no different from anybody else. I like clothes, I like shoes, I like to go have nice dinners, I like to dance. Just because I've dedicated myself to serving women, why do you think I need to sacrifice myself?
In the States I might be an Asian face, look different from everyone else in TV and in music, but in Korea I look like everybody else, in Asia I look like everybody else.
I look at a picture like Scarecrow and think, 'Jesus, how could they have let us make that?' I mean, if you used technology that old nowadays, it would look like old Hollywood.
I've said things that, now, I wish I hadn't said because times have changed and like the me of 15-20 years ago made a joke that I wouldn't make today because I - just because I look at the world differently now, you know. And because the world is different now. And, you know, it's all part of a maturation process, I think, for everybody.
I completely think of myself as sexual. Completely and utterly. Probably more so than I did when I was 30. I don't know why. I'm very comfortable with how I look. I'm absolutely committed to never having anything done to my face. I would never let anyone near me with a Botox needle.
Before I modeled, I never thought I was beautiful. Even right now, I don't think I'm beautiful. I think it's my personality that makes my beauty different and unique. If you look in the past, Chinese people have always considered things like big eyes, pointy nose, or big lips beautiful. I had the same thoughts as a child watching movies.
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
How did I look at you? I asked thickly. Like you had to, like I was a magnet you were pulled to. There was no choice, he said. And when you look at Jack, it's because when he's around, why would you want to look at anything else? You love him the way you could never love me.
Now, I think a lot of people look around and feel that we're relatively equal with men. In fact, women are now the majority of college graduates, we have role models like Hillary Clinton to look up to - it seems like the world is completely open to us and we can accomplish anything. I think feminists are often disdained today because we're seen as complaining about a problem people think no longer exists. I also think young women shy away from calling themselves feminists because many haven't been educated about it or exposed to it. They don't know enough about it to identify with it.
I feel I'm such a big part of that insecurity that some girls might have because of my job, that girls think they have to be that picture. And even boys, they think that that picture exists, and it's so frustrating because I don't look like that picture - I wake up not looking like that picture.
There are two kinds of photographs: mine and other people's. I never think of what I might do myself when I look at someone else's pictures... there is no subject in the world I have ever wanted to photograph. It's the picture, not the object, that is important to me.
Sitting for a picture is morbid business. A portrait doesn't begin to mean anything until the subject is dead. This is the whole point. We're doing this to create a kind of sentimental past for people in decades to come. It's their past, their history we're inventing here. And it's not how I look now that matters. It's how I'll look in twenty-five years as clothing and faces change, as photographs change. The deeper I pass into death, the more powerful my picture becomes. Isn't this why picture-taking is so ceremonial? It's like a wake. And I'm the actor made up for the laying-out.
You can look at a picture for a week and never think of it again. You can also look at the picture for a second and think of it all your life.
It's a form of violence, in the way that we look at women and how we expect them to look and be - for what sake? Not health, not survival, no enjoyment of life but just so you could look pretty. I'm constantly telling girls all the time, 'Everything's airbrushed, everything's retouched. None of us look like that.
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