A Quote by Kate Bush
I think what is great is that if anything that I do is interesting to somebody else, then I really don't think it matters at all what I had originally intended.
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You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.
I don't think anyone thought showbiz people know anything. I would suggest interview subjects, were told they weren't such great ideas, and then they would be assigned to somebody else. I wasn't given anything to do. I felt like the highest-paid dress extra in the world.
That was a really interesting series [Threshold ] that I think would've been really great had it continued. I know Brannon Braga, who was running the show at the time, had a lot of really interesting ideas for what was going to happen the second, third, fourth, and fifth seasons, and they had it really planned out what was going to go on. But CBS just decided to pull the plug on it.
A lot of filmmakers and actors say, "It's so important to bring an authenticity to the role," blah, blah, blah. But then it's interesting because you're also trying to be somebody else, and viewers are going to associate you with that, so I don't think it really has an answer.
I wish someone had told me that my stories are really mine to tell. In other words, anything that I think is important or that has moved me has the ability to move somebody else.
This is a terrible confession to make, but after I left the Army I had a number of things to try. I had a great conceit to think that if all else failed I could always go to Hollywood. So when all else did fail I really went to Hollywood. And then I found out how wrong I was.
I wouldn't mind, if Peter Parker had originally been black, a Latino, an Indian, or anything else, that he stay that way. But we originally made him white. I don't see any reason to change that.
It wasn't exactly a cattle call. I had an agent, and they were seeing people for the parts, so my agent said, "Here's the script, see if there's anything that speaks to you." And I did, and I called my agent and said, "I think this character Data is kind of interesting," and she said, "Well, okay, I'll get you the appointment with Junie Lowry." I had to read with the casting agent first, 'cause nobody really knew me then. Then after that, I had, I think, six different auditions for the role. And finally it was me [on Star Trek].
I have my own tastes and I have my my own... like, I dunno. I think it's really subjective; something that I think is a great song, is unlistenable to somebody else, which I've come to realise.
I like what I'm doing. Today at 88, I wouldn't think of quitting because I can't think of anything else I would rather do. And now with my lectures on all the charitable things that I do, just as you do, I think that what I'm doing matters
I like what I'm doing. Today at 88, I wouldn't think of quitting because I can't think of anything else I would rather do. And now with my lectures on all the charitable things that I do, just as you do, I think that what I'm doing matters.
I think that, like anything, people take their image and what they want somebody else to be and then people just run with it. And when you really know the person and really love the person, you recognize that that person is nothing like that.
I think I probably think about myself as an actor, which is the way most people do. I think I'm good, I don't think I'm great. I think I would hire somebody else to play me in the movie about me.
I think [game music] is something that should last with the player. It's interesting because it can't just be some random music, but something that can make its way into the player's heart. In that sense, this not only applies to game music, but I feel very strongly about composing songs that will leave a lasting impressionWhat I must not forget is that it must be entertaining to those who are listening. I don't think there's much else to it, to be honest. I don't do anything too audacious, so as long as the listeners like it, or feel that it's a really great song, then I've done my job.
Why, in truth, sir," was Monte Cristo's reply, "man is but an ugly caterpillar for him who studies him through a solar microscope; but you said, I think, that I had nothing else to do. Now, really, let me ask, sir, have you? — do you believe you have anything to do? or to speak in plain terms, do you really think that what you do deserves being called anything?
The older I get, the more I think it's this listening. You listen for it, and you have a bit of patience. And it'll come until it sounds - to me, the best songs I've written, I think, are ones that I can't hear anything - any of myself in it. It sounds like a cover song, like somebody else's song - really something you've stolen wholesale off a radio that you've listened to in someone else's flat.
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