A Quote by Kate Pierson
There was just one time when the band took a big break, and I did that Nina project in Japan in 1999.
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I've always wanted to do a solo record, and in 1999, I went over to Japan and did a project called NiNa, where I co-wrote with Yuki from Judy and Mary. It just sort of unleashed this realization in me that I could write.
I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.
In the late '90s, we kind of took a sabbatical, and I got an invitation to play with a Japanese band and formed a supergroup called NiNa. It was Yuki from Judy and Mary and Masahide Sakuma from The Plastics, a Japanese equivalent of the B-52s. It went to No. 1 in Japan.
I started a band [Big Japan] for fun. These sticks break easily, but they feel good.
I did a little film called Nina, a small role. I played a French girl who was a nurse to Nina Simone. Zoe Saldana plays Nina.
I did a little film called 'Nina,' a small role. I played a French girl who was a nurse to Nina Simone. Zoe Saldana plays Nina.
A lot of the music is the kind of thing I grew up with, listening to it with my parents. So there was a band in London called the BBC Big Band, and I sang with them. And I had never done a big band before, and it was just so fantastic and I had such a good time...so that's how it all came about
Even though Japan and Germany were not formal allies at the time that Japan conquered Shanghai in 1937, still, Frenchtown was an area that Japan could take complete control of - and they did. And it was the locus of nightlife.
The Big Band Era is my era. People say, 'Where did you get your style from?' I did the Big Band Era on guitar. That's the best way I could explain it.
I did a project called 'Sing The Truth,' which was a lot of fun. It started out being a celebration of the music of Nina Simone, and it was me and Lizz Wright and Angelique Kidjo.
With my little band, I did everything they did with a big band. I made the blues jump.
When my friends who were college age took a year off of school, they'd play in Weatherbox, or between high school and college. People always joined on a short-term basis and I did things one day at a time, I guess. There was never a big plan when someone was joining. They were never joining on a full-time membership basis. Since then, we just deal with it. I'd like to have a band that's a total constant, but it's probably not realistic at some point.
My first big break was with the Ted Fio Rito band. Fio Rito had a bunch of record hits in the 1930s and did a lot of radio work back then. When he came to my home town in early 1942, I sat in with the band. Ted liked me and offered me a job.
Patrick and Joe were so young when we started the band. As slow as it was, with all the touring and crappy clubs we played, we still never had time to stop and reflect. When we took a break, it finally gave us time to reflect and grow up.
I took acting classes in college, and once I graduated, I decided to give acting a shot when I couldn't really think of anything else to do. It took me a couple of years to get an agent, and my first big break was The Fanelli Boys, which was a sitcom on NBC. Then I did a few television movies.
I suppose once in a while, a filmmaker makes a movie that's more than just a sum of its parts, more than good acting or good filmmaking. It's something else that has nothing to do with what you've done. This is in 1999, made by people in 1999 for people in 1999 about people in 1999.
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