A Quote by Kel Mitchell
We didn't know anything about comedy duos - Abbot and Costello, Martin and Lewis - we didn't know anything about that. Kim Fields showed us a tape of Martin and Lewis and their old shows and they come through the curtain so we started doing research on them.
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The straight man has to know to relate to the comic. When I think of the great comedy teams, I think of Martin & Lewis, Laurel and Hardy, Abbott and Costello.
We mocked that concept ['movies are better than ever'] by doing a sketch that was about a theater trying to get one customer to come in...and that customer was Jerry Lewis. It generated so much controversy that Dean [Martin] and Jerry [Lewis] had to apologize in a full page ad in Variety.
We all [Ed Simmons,Dean Martin and Jerry Lewis] started together, so there were no rules - anything we wrote became television.
I grew up on Jerry Lewis and Abbot and Costello, the Marx Brothers.
Paul Martin talks eloquently about defending national sovereignty but the reality hasn't matched the rhetoric. When it comes to the United States, Mr. Martin says he calls them as he sees them, but when it comes to American passage through Canada, he doesn't actually see anything.
Postwar America was a very buttoned-up nation. Radio shows were run by censors, Presidents wore hats, ladies wore girdles. We came straight out of the blue - nobody was expecting anything like Martin and Lewis. A sexy guy and a monkey is how some people saw us.
"March" was inspired by "Martin Luther King and the Montgomery Story." I actually first heard about that comic from John Lewis, who told me that it played an important role in the movement. And so once he told me about that, it made me start thinking, "Well, why doesn't John Lewis write his own comic book?".
Next up [new TV stars] was [Dean] Martin and [Jerry] Lewis on 'The Colgate Comedy Hour.'
Invariably, when people read the headline about Martin Shkreli, they hate Martin Shkreli. When they get to know Martin Shkreli, they love Martin Shkreli.
It was great. I got to hang out with him [Martin Freeman as Bilbo Baggins], and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. He's going to be amazing, he's going to be fantastic in this film.
What brought me back here was my players, ... I know who Rashard (Lewis) is. I know who Nick (Collison) and Luke are, and I don't know what those other guys (on other teams) bring to the table. This is where I've made home and I didn't want anything different and I didn't need anything different.
I've been collecting some more high-end guitars. I have an old Martin D28 from the '60s, a beautiful, classic Martin that I know I played on 'Mariachi.'
The anniversary of the Montgomery boycott was being celebrated, and the handbill that was out, and all whatever literature that was circulated, didn't say practically anything about movement or what the movement stood for, what it had done, or anything, but was simply adulation of the leader, you know, [Martin Luther] King.
When you start talking about the known knowns and the unknown unknowns, you're thrown into a crazy meta-level discussion. Do I know what I know, do I know what I don't know, do I know what I don't know I don't know. It becomes a strange, Lewis Carroll - like nursery rhyme.
Growing up, I didn't know anything about comedy and didn't know anything about comedians or what standup was. I grew up in the projects with no dream of anything, it was in my formatting when i got older and started talking to my friends about how I felt, they would be like, "dude, that's funny." Then one day my friend was like, "Dude, you don't understand how funny you are, you need to do standup"!
For me, 9/11, it was my last year in college and I didn't know anything about Al Qaeda, I didn't know anything about bin Laden, I had no idea. I think probably after a few years when I started seeing how the country and the policy was shifting due to terrorism, I wanted to know: Why are these people terrorizing us, and who are they?
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