A Quote by Kelli O'Hara

I don't read reviews, because if you believe the good ones, you have to believe the bad. — © Kelli O'Hara
I don't read reviews, because if you believe the good ones, you have to believe the bad.
I don't read reviews or interviews or anything, just because I'm afraid; If I believed the good, then I'd believe the bad, and there will be bad.
I don't read reviews, and I try not to read articles about me. It taints your outlook: if you believe the good things, you've got to believe the bad things, too.
I've done both theatre and film and the fact is if you start believing, if you start reading things and they're good reviews - you believe that and you're lost, and then you read bad reviews and you think that's true and you read that and you're lost.
I don't read reviews. Just because that is something that's directly connected to my job. I'm doing this because I love it, not because I'm necessarily looking for approval or anything like that. To me, it seems that reading reviews - whether they're good ones or bad ones - can only sort of force the person to divorce themselves from the reality of what it is they do for a living. So I don't read reviews.
People always say that you shouldn't read reviews at all, or if you do then believe both the good and the bad ones. I just choose to believe the ones that think I'm brilliant. The ones that don't, well, I just don't bother with them.
You got to deal with reviews the same way you deal with your views, which I a long time ago stopped reading because the point is if you believe the good ones you have to believe the bad ones. It's kind of all or nothing.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
I make a point of not reading reviews because of the old adage, if you read the good ones then you have to read the bad ones, and if you read the bad ones, you have to, you know... And also because it's a very, very bewildering and exposing thing.
I don't pay too much attention to the positive reviews or the negative reviews because if you believe one, you've gotta believe the other.
Every year I tell myself that I'm not going to read any reviews and then I do. We're all human and when I read something negative it hurts. I think when you write it's part of the game, you're going to get some good reviews and some bad reviews and that's how it goes. I don't write for the reviews.
Every year I tell myself that I’m not going to read any reviews and then I do. We’re all human and when I read something negative it hurts. I think when you write it’s part of the game, you’re going to get some good reviews and some bad reviews and that’s how it goes. I don’t write for the reviews.
If you make a good show, you tend to get good reviews. I don't believe it is as arbitrary as some people tend to think, which artists do to protect themselves against bad reviews.
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
If you read the good reviews you gotta read the bad reviews. I kind of think of it as like being a quarterback: you get way too much blame when it's bad and way too much credit when it's good.
The reviews on it, and the new novel, Honky Tonk Samurai have been awesome, though I'm of the school if you believe the good ones you got to believe the bad ones, it's been mostly good ones. The previewers seem to be very happy and excited about it. I know I am. There are plans to continue if it does well.
I get a sick joy out of bad reviews. I don't read good reviews.
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