A Quote by Kelly Rutherford
I think it's mainly when I need inspiration I look at the old pictures. I don't find it as much in the new stuff. I love Carole Lombard. I think she's wonderful. Gloria Grahame was really great. Garbo. Dietrich. People knew how to create an illusion. Now everything is very realistic and straightforward. Everyone's grunge.
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I think movies also played a part in my interest in fashion. I've also always been hooked on the movies. From my early teens on, I always had my favorite movie stars who I admired, like Carole Lombard and Greta Garbo and Marlene Dietrich, and the men in my life who I loved, like Gary Cooper.
I watched the way Hillary Clinton talk now about how lovely everything is and how wonderful she is. It doesn't work that way. She was after him, she was trying to - she even sent out or her campaign sent out pictures of him in a certain garb, very famous pictures. I don't think she can deny that.
If you look at 'The Have and the Have Nots,' I didn't want to write a show where everyone is great and wonderful and perfect. I wanted to write it so that you're not really sure who the haves are. You look at Hanna, and you see that she doesn't have much, but she has great faith.
I'm a big fan of certain new acts. I love any genre of music, and I think it's really great to see that there are new artists coming through. It's kinda funny to think that I'm like the old man on campus now. But I'm really happy for groups like One Direction. I think they're really good guys.
'Gloria' is a film about a fifty eight-year-old woman who is quite alone in life; however, she is quite optimistic. Nobody has much time for her, and so she regularly goes to these single adults' parties where she is looking for someone. By the end of the film, she doesn't necessarily find love, but she does find something else.
Before he died, Harry said that his wife knew everything about every trick that he did, and that she knew how they all worked. It was interesting to play with that idea, and to find the places where she really was afraid for his safety and where she was playing along. I had to find that line between what's a performance and what's real, and that's so much of what magic is, as well. It was really, really fun. They were really partners, in every sense of the word.
What I learned from Lennon was something that did stay with me my whole career, which is to be very straightforward. I actually love talking about taking pictures, and I think that helps everyone.
I just have a different impression of the human race. I think we're really resilient. I think there are a lot of cynical people out there right now, and probably for good reason. But I think that ever cynic is really a damaged romantic, and they really, really, really want things to be good. And if that's the case, I don't need to tell a story that says, "Humanity, look what you've done. Now you can't go out. There's no sun. Look how you've wrecked the world." That's not me. That's not my job.
I think now more than ever there's so much available honesty that you can find on the Internet. You can go on to YouTube and find really, really vulnerable, really verité stuff. It's not even verité, it's real! It's people confessing very private things. In a world with "It Gets Better" videos where people are trying to keep themselves alive and speak out to other people and are really brave and courageous.
I think there's much more privileging of the new in art. I think people want to think they privilege the new in writing, but I agree with Virginia Woolf. She wrote a great essay called "Craftsmanship" about how difficult it is to use new words. It's really hard, but you see them coming in because obviously, if you're going to write... I mean, even to write "cell phone" in a novel - it's so boring.
It's kinda ridiculous what you can't say nowadays. You really can't say anything you believe! I think it's fricking ridiculous how sensitive everyone is to everything, how much things are frowned upon. How much stuff will cost you nowadays. I think it's fricking ridiculous that we can't - there's certain topics that you can't really say how you feel about.
I'm in my late 20s, and people are coming around to it again. I think they're realizing how much this stuff affects them. I think all the time about how much Judy Blume affected me, or Beverly Cleary. And I think that now some people are starting to come around and get more of an appreciation for [my stuff].
My way of thinking is to create a situation where we rally everyone together and create peace and pardon people, to not forget about the past - because we need to learn from it - but to mainly think about the future.
I think experimentation with other stuff is great. My real focus has been more-so trying to create a sound that I can build upon and get really comfortable with. I think almost everything is experimentation 'til you find what it is that your sound is.
When people say, 'Doesn't Gloria [Vanderbilt] look great? She's 85.' I say, 'Yes, she was a raving beauty when she was 20,' that's the key. Very helpful.
From a child, I knew I didn't have the face I wanted to have. My mother was a baroness. She was from Berlin; she was a silent movie actress and friends with Marlene Dietrich. So she knew all about film make-up and prosthetics and stuff like that and what they used to do in those days. And she taught me all that as a child.
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