A Quote by Kelli Williams
The Practice I was on for seven years and it was a law show, so I really - a lot of objections and things like that, lots of long, long monologues that David Kelly used to write me, which were great. I was really lucky to have my first show go that long.
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'The Practice' I was on for seven years and it was a law show, so I really - a lot of objections and things like that, lots of long, long monologues that David Kelly used to write me, which were great. I was really lucky to have my first show go that long.
I don't believe, in a show like ours, that you really want to see character growth. That's just my opinion. Maybe to a small degree, but nothing serious. To that end, it doesn't have the same importance that it would have, if you were on an hour-long show. I think an audience gets really hungry for a character to grow and change on an hour-long show, and I think I would be more antsy.
My goal on the show was to be professional. But sometimes you cant help who you have a connection with, and you can only fight it for so long - which I did for a really, really long time.
I did a show a long, long time ago called 'Cooking Mexican'. It was a studio show as opposed to on-location like the one I do now. Before my first show, I was a cooking instructor, and I did a whole lot of classes for home cooks about Mexican food.
I've been busy for a long, long time. I've received a ton of awards in the past few years ... I think they're really great, it's really an honor, but s**t - I really have to work for these things.
If you're an artist like a really, really long time, it stops being a performance. I'm not performing anymore. I reveal myself to the audience... I show you some of me. It's not a show no more.
That one long scene in the Leftovers I have with David Gulpilil was seven pages long. When we finished it, Mimi Leder said, "I thought you were gonna do this in bits and pieces. You just did the whole thing." And I literally couldn't remember the scene. It wasn't that I was in a trance. I said, "Just keep shooting takes until you see what you want." In 48 years of acting, which is also how long I've been married, that had never happened to me.
I think the tone of the show has certainly changed over the years, because it's really, really hard to do something different when you have a show going on as long as this has.
One of the great things about being on a show for a long period of time is watching the show evolve. A friend told me a long time ago "It should be easy" and it usually is if you're not distracted with the usual demons any creative person has. Especially with comedy because you find yourself laughing while you work.
I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.
I like poor materials. I couldn't see myself making a bronze sculpture - it's not me. I like neon, because it's moving constantly and like drawing. The chemicals going through the neon turns me on really - it's sexy. I like fabrics, but one of the main things with objects is that I really have to love them before I can use them. I have to have the object around me a long time. The little chairs I used in my last White Cube show are ones that my dad bought for me. A sort of a psychometry with objects and things. It's like the pieces I've made are my things.
If you say that your national law allows you to do something, it is fine as long as you do this inside your own territory. As long as you go international, you really have to be sure that there is an international law which you respect and which you follow.
My own way of thinking is to ponder long and I hope deeply on problems and for a long time which I keep away for years and years and I never really let them go.
I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite... I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.
One of the most fun characters I played on a television series, which didn't last long... was a show called 'American Gothic' that Shaun Cassidy created. I would have loved to have done that show forever. That character was so funny yet demonic. It was really good writing and a really good idea. I loved all the people on the show.
I've been trying to write for as long as I can remember. But those first fifteen years didn't produce much of great interest. I mean, it embarrasses me very much to look back on my early poems--very few lines of any merit at all and lots of affectation. But there were quite a lot of them. That's a point in one's favor.
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