A Quote by Kelli Williams

I'm convinced that I've been hired for jobs because I can cry on cue. — © Kelli Williams
I'm convinced that I've been hired for jobs because I can cry on cue.
I'm not one of those people who can cry on cue. If I have to cry in an audition, I'm like, 'Okay, let me see what I can do.
I'm not one of those people who can cry on cue. If I have to cry in an audition, I'm like, 'Okay, let me see what I can do.'
I'm a sap, I'll cry at anything. But I don't cry when I feel manipulated, or when there's a music cue telling me to.
As with real families, my fictional family on 'Life Goes On' had its ups and downs, and as part of the fictional downers, the actors were often called to cry on cue. This absolutely terrified me, because I was a pretty happy kid who didn't have much to cry about.
The reason that MGM hired Bobby for Our Gang was that they could look at him and say, cry, and he'd cry, and not many kids can do that unless they really want to cry.
In all the years I've been playing, I've never considered changing my cue. It was the first cue I ever bought, aged 13, picked from a cabinet in a Dunfermline snooker centre just because I liked the Rex Williams signature on it. I saved £40 to buy it. It's a cheap bit of wood, and it's been the butt of other players' jokes for ages.
Donald Trump claims - he did interview after the debate where he said, well, gosh, you can't find Americans to do these jobs to be waiters or waitresses or bellhops.What ridiculous nonsense. "The New York Times" reported roughly 300 Americans applied for those jobs. He only hired 17. Instead, he brought in foreign workers, because they're captive workers, because you can pay them less because they can't leave.
When I went to acting school, the kids that got the best grades were the kids that could cry on cue. But it didn't really translate into careers for any of them, because the external is the easy part.
We don't always cry because we are weak, sometimes we cry because we have been strong, brave and courageous for way too long.
The last reason I want to be hired is because of my gender. I want to be hired because you trust me, because of my potential, because you believe that I know basketball, and we go and we build from there.
There have been times I wanted to cry on interview, but it hasn't been because that's what they're trying to conjure. No. I think you have to graduate to some higher level of TV IQ for people to actually want to see you cry.
The more shows that are produced, the more writers are hired, producers are hired, actors are hired, directors are hired, it means the more people will get employed. It's better for the economy. It's a fantastic thing.
On screen, I may hate a co-star, have a stomach ache, but I have to convince you of that emotion that is demanded on cue. There are times when I feel like dancing, but on 'action,' I'll have to cry.
I've always looked to that play, 'Virginia Woolf,' for a cue - as far as any cue I might need as an actor for inspiration or as a writer.
I wasn't hired to be a moral judge. I wasn't hired to be a preacher or an evangelist. I'm hired to apply the law.
The tip I would give is that once you play the shot, make sure your chin is touching the cue after you hit the cue ball.
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