A Quote by Kelsea Ballerini

My favorite thing ever is walking into a room and there's like, shoes and dresses and sparkles in the room. It's a good time. — © Kelsea Ballerini
My favorite thing ever is walking into a room and there's like, shoes and dresses and sparkles in the room. It's a good time.
I got the honor of traveling some with Kerry Von Erich. He was as close to a rock star as I've ever seen. He had a presence that when he walked into a room, it was like Elvis walking into the room.
I've always loved Air Jordans. My favorite one was the Air Jordan No. 1 with the black front. What's ironic about that is I don't own a pair of those. I probably have countless pairs but they're my favorite ones. I had the poster in my room. Those are my favorite Jordan shoes of all time. I've just never bought them for myself.
You got to always take advantage of getting your room cleaned. You may think it's nice not to have anybody in your room, like your privacy's not being invaded. But there's nothing like walking back into a clean room. You've got to remember that.
I like walking into a home where each room has a slight scent that doesn't overpower the room and doesn't spread through the whole house.
With all the hundreds of dresses and shoes I have, it would be an absolute crime if I don't have a little girl. I have a whole room at home filled with my stage wear.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.
When you see all the suits in the room, everybody in the room has on suits, you know, the women, too. We're not wearing dresses and chiffon and we're not as fun as we used to be.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
We moved wordlessly from one room to another, from the room of the dead to the room where time lay in pages everywhere I looked.
My favorite thing is to be alone in a room with a blank paper in front of me and the time to fill it.
If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
One time my mom tried to send me to my room for a time-out when I was 5 or 6, and I was like, "Fine! I like my room! All my imagination and toys are in my room!" I will never forget that. And she will never forget that.
You can get a sense of the wonderful power of framing by holding your fingers up in a kind of square, walking around the room and framing it differently - how that changes the nature of what you think the room is like.
Well you're in your little room and you're working on something good but if it's really good you're gonna need a bigger room and when you're in the bigger room you might not know what to do you might have to think of how you got started sitting in your little room
But I started it when I was going through a transitional time in my life. At the end of it, it really sort of symbolized it. I had made room to change, and room to grow. I recorded it in a little room.
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