A Quote by Kemp Muhl

I started off liking uptight music and then discovered Pink Floyd and Hendrix. — © Kemp Muhl
I started off liking uptight music and then discovered Pink Floyd and Hendrix.
When I was four, I think I just wanted to make noise. When I was about 10 years old I was given five CDs for my birthday: Pink Floyd's 'Dark side of the Moon,' the Sex Pistols, Prodigy, Jimi Hendrix, and I can't remember the fifth one, but really different kinds of music. That's when I started to grasp it and enjoy it, listening to it. Then I started being in bands at school.
I got into music by happenchance and luck and wearing a t-shirt with "I hate Pink Floyd" on it. The irony has never failed to amuse me ever since because I didn't hate Pink Floyd at all! And yet you have an entire range of people out there believing that the best thing you can do in life is to hate Pink Floyd. Come on, It's because it's the world I live in!
I think my deepness came from Pink Floyd. And Jimi Hendrix was my idol. I always wanted to be like him.
There are so many people out there who think they are fans of Pink Floyd - and certainly the work I did in Pink Floyd - who are still furious that I left.
I grew up listening to albums by Pink Floyd, Led Zeppelin and Jimi Hendrix, and they all worked on that multi-layered level.
I think that cheap music often does make you dream more than more serious music, whether that's serious music by Beethoven or Miles Davis or Pink Floyd... if the Floyd ever did serious music, which I seriously doubt.
So by the time the 60s rolled in that became a huge art form in its own right with bands like the Beatles and the Rolling Stones and Hendrix doing total concept albums, same thing with Pink Floyd.
I've been to two stadium gigs in my life. One was James Brown and the other was Pink Floyd. They both sounded the same. I couldn't tell the difference between James Brown and Pink Floyd. I've never liked stadiums.
I was born in 1963. So the '70s were my teenage years. As a teenager, I was into rock and roll - Bowie, Rolling Stones, Pink Floyd, even more progressive music like Genesis, and I was into a lot of British rock and roll. But I loved also American rock and roll. CCR, Jimmie Hendrix, The Doors, Patty Smith, and Bob Dylan.
The thought about changing my genre of music does cross my mind, but then I remember why I started making music in the first place or why people started liking my kind of music.
I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.
On the musical side, I always wanted to kind of carry on Pink Floyd's sound. You know, Pink Floyd always had such an original, creative and masterful sound, but there are no new albums. My thought was that there's a way to keep their sound alive.
I got my influences from 70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released "Money", it wouldn't even get played.
I was listening to Jimi Hendrix and Pink Floyd, because that was new music for me. I really hadn't been up on them. I mean, I'd heard of them, but I wasn't up on their music. And I kept listening to Radiohead, and I was like, Man, I want to make hip-hop that feels like Radiohead. I want to make hip-hop that can use guitars and soul and jazz and just fuse it all together.
It's nice that psychedelic music is kind of a buzzword. When I started with Vincent Black Shadow, stoner-rock was getting big, but it was more of a riff-oriented thing. Now people are starting to get into the 60's-Pink Floyd-acid-pop viewpoint.
I'm a Syd Barrett fan, and early Pink Floyd, and then about two things from the rest of their career. I don't like them, really. I mean, I like the psychedelic stuff. I listen to the first albums, and even on those, they go off and off and off. Songs that are 20 minutes long. I don't like long songs.
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