A Quote by Ken Adam
A studio allows me more freedom. You can create your own sort of reality which is actually more exciting than shooting on location. You can conjure up a complete atmosphere of escapism for the public.
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Working on location is ideal because you enter the character and the story. Shooting at a studio near home, there's a certain split. But on location, you forget the real world, and when you come back to reality, just going to the market can be traumatic.
The 60's has its own particular style and I think setting film in a period enables you to create your own reality that the audience can escape into and have fun, and in a way make it more real than it actually is.
The real world has always been far more exciting and funny and dangerous to me than anything somebody could conjure up sitting in front of a computer.
I tell you this: You always get what you create, and you are always creating. I do not make a judgment about the creations that you conjure, I simply empower you to conjure more-and more and more and more. If you don't like what you've just created, choose again. My job, as God, is to always give you that opportunity.
I think everyone is just expanding, with the centers shooting 3s. I think that just opens the floor up a lot more. A lot more shots are going up, a lot more freedom of movement. It makes it more of an exciting game.
I use people that are close to me, like a studio assistant or a friend, someone I know who's going to really enjoy it. It's important to me to have men inside there, too, because so many dollers are men. It's putting me into a pretty odd headspace, the shooting, because I understand the motivation of these dollers to dress up. There's a way that you start to prefer the reality of that world to your own world. It's so much more beautiful.
I think I prefer producing a little more than DJing because you have more freedom, you can make anything you want; it doesn't necessarily have to be four to the floor. You can go more with your mood, or the atmosphere that you're in.
The more internal freedom you achieve, the more you want: it is more fun to be happy than sad, more enjoyable to choose your own emotions than to have them inflicted on you by mechanical glandular processes, more pleasurable to solve your problems than to be stuck with them forever.
You beg for happiness in life, but security is more important to you, even if it costs you your spine or your life. Your life will be good and secure when aliveness will mean more to you than security; love more than money; your freedom more than party line or public opinion; when your thinking will be in harmony with your feelings; when the teachers of your children will be better paid than the politicians; when you will have more respect for the love between man and woman than for a marriage license.
n artistic atmosphere does not create artists a literary atmosphere does not create literators; poets and painters spring up where there was never a verse made or a picture seen. This suggests that God is no more idle now than He was at the beginning, but that He is still and forever shaping the human chaos into the instruments and means of beauty.
I think that one of the most exciting things about making films is the sort of reaching out to the world. It's as an ambassador. You realize the more you travel that you are a cultural ambassador for your own country. You never become more patriotic than you do living abroad.
One thing we've learned this summer is that a house is not an end in itself, any more than "home" is just one geographic location where things feel safe and familiar. Home can be anyplace in which we create our own sense of rest and peace as we tend to the spaces in which we eat and sleep and play. It is a place that we create and re-create in every moment, at every stage of our lives, a place where the plain and common becomes cherished and the ordinary becomes sacred.
We have more possibilities, more freedom, more options than any people who have ever lived. Yet there is more junk, more mediocrity, more garbage to sort through than ever, too.
There's no real objection to escapism, in the right places... We all want to escape occasionally. But science fiction is often very far from escapism, in fact you might say that science fiction is escape into reality... It's a fiction which does concern itself with real issues: the origin of man; our future. In fact I can't think of any form of literature which is more concerned with real issues, reality.
There's nothing more exciting to me than using real instruments in the studio.
Having your own space is getting rarer and rarer these days. It's dangerous giving someone like me - who grew up fantasizing about studios and records - the freedom and resources to build your own studio. I would just live in it, which is what I pretty much did for all of the '90s.
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