A Quote by Ken Keyes Jr.

As the watcher of the screen, you are perfect. The movie that is playing on the screen might be horrendous, but you are not the movie. You are what is watching the movie.
Looking for happiness in the body, mind or world is like looking for the screen in a movie. The screen doesn't appear in the movie, and yet, at the same time, all that is seen in the movie is the screen. In the same way that the screen 'hides' in plain view, so happiness 'hides' in all experience.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
The premise that we're working with is that when most people go to a show, they're not really watching what's going on onstage. They may be watching what's on the screen. But when the songs are playing in their mind's eye, they're actually watching a movie.
Christmas is relentless. It's around the clock. I sit with my little ones in front of the TV screen, and we watch movie after movie after movie.
Every couple of years we'll watch the movie and it's like watching home movies, seeing the ranch on-screen. But that movie Heaven's Gate, people are appreciating it more and more as time goes on.
Al Gore has a hit movie called 'An Inconvenient Truth.' I have an inconvenient truth for him: you're still not the president. ... This past weekend, Al Gore's movie, 'An Inconvenient Truth,' earned more per screen than any film in the country. ... I dare say Gore's movie is the highest grossing PowerPoint presentation in history. ... Global warming: Can we live with it? ... It is time we did something, namely resign ourselves to doing nothing [on screen: Follow Congress' Lead]. ... For instance, when sea levels rise, we'll just build levees [on screen: Worked for New Orleans]
The Nice Guys movie was the first time in my career where what I wrote on the pages is on the screen. I'm more proud of it than anything else I've done. It is effectively what I wanted. If this movie's bad, it's my fault. It's not somebody else who changed or censored or edited it. This is the stuff I wanted, and that's what's on the screen, and if you don't like it, it's my bad.
Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.
The movie on the screen is always going to be different from the movie in your head. How it makes you feel is what I'm after, what I'm chasing, and what I'm trying to construct.
I want to have a movie where people's eyes are glued to the screen, not when they're running from the screen.
I much prefer writing an original movie with the screen in mind to transferring a play to the screen.
I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.
When you make a movie like 'Straw Dogs,' your goal is to have people's eyes remain glued to the screen. It serves you no purpose to turn away from the screen.
There is a difference between movie actors and TV acting, especially with movie stars, which is they know their face is 20 feet high on the screen. They know they don't have to do much.
As a painfully shy kid, my fun time was locking myself away and watching movie after movie after movie. Watching a good performance, to me, was like getting a new toy.
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