In a media landscape that has grown in unimaginable ways, there are more projects that have come along now than ever. While the number of projects has grown, many players are vying for that audience.
It's been more than a decade since 'The Real World: Philadelphia' aired. I've grown up. My views have evolved, as has the media landscape.
Some types of environmental restoration projects are well-known; restored wetlands, for instance, or coal mine reclamation projects. Recently though, larger dam removal projects have started, a number of them in Washington state.
I have stuff I'm interested in working on, and I'd rather work on what excites me than complete projects from the past that I've grown bored with.
As cities have grown rapidly across the nation, many have neglected infrastructure projects and paved over green spaces that once absorbed rainwater.
People so far have been very fond of the Robert Altman movie, as I am, and when one things goes well it shines light on your other projects and now I seem to have a number of projects that are moving forward.
There were open source projects and free software before Linux was there. Linux in many ways is one of the more visible and one of the bigger technical projects in this area, and it changed how people looked at it because Linux took both the practical and ideological approach.
I have grown as an actor in all these years by doing multiple projects.
While many federal agencies are engaged with international partners on science and technology projects, there is a need to coordinate these projects across our government network and to identify opportunities for additional beneficial collaborations.
And one of the things that's interesting about how they're doing the show is that the audience almost knows more than the characters do in some of these scenes, and the extent of that is unique. So it's grown into a different show in a way. It's sort of grown into a different experience watching it.
I've grown environmentally. I'm far more cautious, although I always have been; but more now. And I have grown a lot professionally by working with George Miller.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
We have disappointments all the time in the business, and I've lost way more projects than I've booked. I've learned from every opportunity and have been chosen for some really great projects!
Material comes all kinds of ways, and it's never a question of a lack of material or a lack of projects - I have tons of projects. The issue is to convince someone to give you the money. And it's a very different business than it was just 8 years ago.
On certain projects, on big public projects, people definitely are interested in making them greener, but on smaller projects with tight budgets it can be harder.
As football gets more globalised, it's probably more important than ever to have one or two players in your team who have grown up in the same streets or been to the same schools as the hard-core fans.
As football gets more globalized, it's probably more important than ever to have one or two players in your team who have grown up in the same streets or been to the same schools as the hard-core fans.