A Quote by Kenneth Anger

Puce Women was my love affair with Hollywood... with all the great goddesses of the silent screen. They were to be filmed in their homes; I was, in effect, filming ghosts.
I went from basically filming in my bedroom by myself, filming some funny videos, and then overnight, I switched into filming in some studios and some warehouses and family homes. I started filming with directors and producers and editors, and there were so many people in the room, so it was definitely weird.
You could name the great stars of the silent screen who were finished; the great directors gone; the great title writers who were washed up. But remember this, as long as you live: the producers didn't lose a man. They all made the switch. That's where the great talent is.
(What are your ghosts like?) (They are on the insides of the lids of my eyes.) (This is also where my ghosts reside.) (You have ghosts?) (Of course I have ghosts.) (But you are a child.) (I am not a child.) (But you have not known love.) (These are my ghosts, the spaces amid love.)
I come from a long line of strong and confident women out of New Orleans. My grandmother and great-grandmother were women who ran their homes and were leaders in their communities. I was never taught that there was anything that I couldn't do, and I believed that.
Garrel has succeeded in filming something we have never seen before: the faces of actors in silent films during those moments when the black intertitles, with their paltry, illuminated words, filled the screen.
I looked at a lot of photos from Hollywood in the '20s, photographs of silent movies being filmed all over the world which are very specific and very evocative. Berenice, the lead actress, is my wife. She really followed the same path with me.
When I first started doing screen work, I thought, 'I'm not beautiful enough for this profession - all the actresses I watch on screen are gorgeous and beautiful goddesses, but I'm just a scrawny, scruffy girl from southwest London.'
I had a great love affair in high school and let myself have that love affair and tried to keep it to myself.
It was a struggle treating Claude Rains as my lover, but we were friendly. It was no great love affair.
We fell in love during the making of 'Ye Maaya Chesave' in 2009, and the love affair continued very well in the following years. I was, however, delaying revealing to my parents about my love affair despite Sam's insistence. One day, when we were chatting casually, Sam threatened to tie a 'rakhi' on me if I didn't tell about the love to my parents.
I was assigned a Taliban "minder" who followed me everywhere. But he couldn't follow me into homes where there were women, so I took photos inside people's homes.
When I was a kid, my grandparents were Greek immigrants on my father's side. My grandfather used to read me Greek myths, in which there are a great many goddesses and stories of strong women. And I was entranced by them. Then I started reading science fiction very young, and I loved it.
What is a great love of books? It is something like a personal introduction to the great and good men of all past times. Books, it is true, are silent as you see them on their shelves; but, silent as they are, when I enter a library I feel as if almost the dead were present, and I know if I put questions to these books they will answer me with all the faithfulness and fulness which has been left in them by the great men who have left the books with us.
I love Athena. I love all the goddesses and the archetypes and what they represent because I think they're always going to be relevant not just to women but to humanity. They're living energy. There's a lot we can still learn from them.
The great affair, the love affair with life, is to live as variously as possible, to groom one's curiosity like a high-spirited thoroughbred, climb aboard, and gallop over the thick, sunstruck hills every day.
With supernatural things, I have heard ghosts, but I've never seen ghosts. I do seek ghosts and I would love to see one, but I would crap my pants.
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