A Quote by Kenneth Kaye
If you are leaning over to starboard to balance the boat against the other guy's propensity to lean too far to port, both of you are about to get wet.
Related Quotes
Asparagus in a lean in a lean is to hot. This makes it art and it is wet weather wet weather wet
You know when you're sitting on a chair and you lean back so you're just on two legs and you lean too far so you almost fall over but at the last second you catch yourself? I feel like that all the time.
We did not touch each other. We were both leaning over the abyss.
A single bomb of this type, carried by boat and exploded in a port, might very well destroy the whole port, together with some of the surrounding territory.
When I find myself whining, and I'm like, 'God, it's wet,' there will always be one guy who never got into the heat tent, who didn't get past the coffee, and he's still there, and this guy is smiling. You know, I gotta get over myself.
In terms of songwriting I think it might be a circular thing. I tend to go back and forth between quieter melancholy songs and more forceful, less traditional structures. I think when I find myself leaning too far in one direction I kind of rebel against it and pull the other way.
I could happily lean on a gate all the livelong day, chatting to passers-by about the wind and the rain. I do a lot of gate-leaning while I am supposed to be gardening; instead of hoeing, I lean on the gate, stare at the vegetable beds and ponder.
You might as well fall flat on your face as lean over too far backward.
Keynesian modelling relies on marginal propensity to consume and marginal propensity to invest. The idea that if we give more money to the poor, they have a propensity to consume that's much higher than the wealthy, though I wish they would talk to my wife about that; she seems to have a propensity to consume.
Strive to be the very best you can be. Run the race against yourself and not the guy in the other lane. The reason I say that is, as long as you give it 110% you are going to succeed. But as long as you're trying to beat the guy over there, you are worried about him; you're not worrying about how you've got to perform.
When I get a chance to power jump off both legs, I can lean, twist, change directions and decide whether to dunk the ball or pass it to an open man. In other words, I may be committed to the air, but I still have some control over it.
One flesh. Or if you prefer, one ship. The starboard engine has gone. I, the port engine, must chug along somehow till we make harbour. Or rather, till the journey ends.
If all those people are getting wet to welcome me, surely the least I can do is get wet too!
I tell young girls all the time: "Go for the guys who are more serious, distinguished". The hot-model types, they're too pretty, and too wet behind the ears. Besides, do you want a guy who takes longer to get ready than you?
A performance is like a boat. You really want it to arrive at port. So when something goes wrong and it doesn't get there, that touches me a lot.
Certain guys are different. A guy like Marshawn Lynch, he's more of a running through a guy. Mine is to get a guy off balance and going through an arm tackle, go through a shoulder, those types of things. Get them going one way and try to hit the other side.
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