A Quote by Kenneth More
A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now. I am the reassurance that they have not changed. In an upside down world, with all the rules being rewritten as the game goes on and spectators invading the pitch, it is good to feel that some things and some people seem to stay just as they were.
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I am the reassurance that they have not changed. In an upside down world, with all the rules being rewritten as the game goes on and spectators invading the pitch, it is good to feel that some things and some people seem to stay just as they were.
In an upside down world, with all the rules being rewritten as the game goes on and spectators invading the pitch, it is good to feel that some things and some people seem to stay just as they were.
A film like Genevieve to my contemporaries is not a film made years ago, but last week or last year. They see me as I was then, not as I am now.
But if I'm it, the last of my kind, the last page of human history, like hell I'm going to let the story end this way. I may be the last one, but I am the one still standing. I am the one turning to face the faceless hunter in the woods on an abandoned highway. I am the one not running but facing. Because if I am the last one, then I am humanity. And if this is humanity's last war, then I am the battlefield.
There's been a lot of aesthetically rich horror films that have come out in the last several years. 'The Babadook' is this perfectly paced, beautiful film. 'The Witch' is a beautifully made film. 'Get Out' is so intelligently written. I feel like there's so many great things happening right now.
My opinion of the Russians has changed most drastically in the last week than even (sic) the two-and-a-half years before that. It's only now dawning upon the world the magnitude of the action that the Soviets undertook in invading Afghanistan.
The feature film has changed a lot. Art houses are gone and people show a certain type of cinema in the big theaters now that, you know, it's not quite really good for me, and if I made a feature film, I was think I'd play in LA and New York for a week, and then go right to television.
I want to be better every year, just like everyone else does. From what I learned from last year, I feel a lot more comfortable. I know the game and how it goes up here. You get in certain situations the first time, you really don't know what to expect. Now that I've been in them-and I've been in every situation possible last year-there's nothing new to come at me.
I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.
If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer.
But for me there is neither Monday nor Sunday: there are days which pass in disorder, and then, sudden lightning like this one. Nothing has changed and yet everything is different. I can't describe it, it's like the Nausea and yet it's just the opposite: at last an adventure happens to me and when I question myself I see that it happens that I am myself and that I am here; I am the one who splits in the night, I am as happy as the hero of a novel.
Generally, I like people's trunk projects, the things they were working on before anyone knew who they were. I think when people run out of their trunk items and they start doing stuff just to do a film next year, the quality goes down, the interest goes down. Maybe it feels commercial or something.
I think time is elastic. There are moments in my life that are many, many years ago and yet I can conjure them as though it's a second ago. And there are other things that happened maybe last week that seem like ages ago.
But we're not this one stupid thing we said three years ago, or ten years ago, or even last week. We seem to judge people as if they are.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
I feel passionately about issues, and I don't hide my emotions from people. I am not a focus group-tested, blow-dried candidate or governor. Now that has always made some people, you know, uneasy. Some people like that style, some people don't. [...] But I am not a bully.
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