A Quote by Kenny G
I learned so much about playing and touring being on the road and in the studio with Jeff, but I'd always played a lot of gigs in Seattle even prior to joining the Fusion.
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I thought I was going to be a rapper as a kid and used to hop the train down to Jazzy Jeff's studio for, like, six months straight waiting outside of the studio for the big break, and one day we got in the studio and played our demo for Will and Jeff and quickly learned that we weren't that good.
Being on the road, because you do so much waiting and so much traveling. It's not the same thing as being in the same city for a week or two weeks and then another city. It's really hard. I don't think people understand this about being a touring musician, or a touring actor, or somebody who flies everywhere for business. It's incredibly disorienting.
I learned a lot from playing those late-night, 1-to-4 A.M. gigs with my band, and playing when no one was listening.
I didn't understand anything about playing baseball. I started playing, and it was enjoyable. Most of my life, I played with older people on my team, in my league. I learned a lot about life. Every day in my life, I learned something new from somebody.
From playing with the guys that I played with, Kevin Garnett and Paul Pierce, I learned a lot about the game. I learned how to finish games.
I've been on the road for so long that it's a part of my being. Even after all these years, I love playing. I love recording. I love writing. I love rehearsing. I love touring. I love all that stuff.
There have been times when I played more than others, but I've been a road comic for a quarter of a century, so I've always played golf on the road because you have a lot of time to kill.
I never planned on being a live performer. My whole forte was about being in the studio, producing, playing the piano on recording sessions. I was all about the studio.
When I went to Australia on the India A tour in 2014, I played on flat pitches against batsmen, some of whom were Test players. That experience taught me a lot, as I also was playing with a lot of Test players in our side as well, and I learned about being mentally tough.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
It was 2002, we all got guitars for Christmas and started playing in my garage that summer, rehearsed there and in a warehouse for a bit for about a year. We did our first gig in June 2003 and we played a few gigs in and around Sheffield for a bit then started doing gigs outside of Sheffield about this time last year, recording demos while all this was going on.
I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.
I was a big fan of Gary Moore, he was my buddy and I miss him a lot. I loved his playing because you've got that passion; it was sort of a Celtic thing. The Irish and Scots they just go for it and not too worried about looking good. When I was in the states touring, I landed in Seattle to do a gig and one of the fans came to me and told me about Gary's death. It was very hard for me to carry on, it was awful.
I just love being in the studio, and that's kind of what I do when I'm not on the road. I'm just in the studio messing with stuff, and I love playing all the instruments.
As a child, I always thought about big screen and even played in a amateur theatrical studio.
I think that where it came from and the initial birth of it - it did come out of a jam at Bruno's studio, you know? He was playing drums. And Jeff Bhasker, who co-produced the record with us, is on synths, and I was playing bass.
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