A Quote by Kerry Bishe

If you're on a TV show, you never know what's going to happen week to week with your character. — © Kerry Bishe
If you're on a TV show, you never know what's going to happen week to week with your character.
I learned that a television show is not a collaboration. You give your 180 percent, but you do not question the show-runners. I remember doing a reading, and my part was kind of small that week, and I commented on it, and the next week, they cut me out of the show. So I learned that you never ask questions. In TV, you always assume you're going to be fired.
Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.
You never know, especially on episodic television, you just don't know week to week what's going to happen.
When you do a TV show, the cumulative intimacy you develop with the audience through your characters is pretty profound. It may be the most profound storytelling there is, because the character gets to live and roll around in the audience's mind week after week.
One reason I find all this character growth and narrative swerving so exhilarating is because I never got to do it when I wrote for TV. Our characters needed to remain consistent from week to week.
I played on the Jets during Namath's last four years, and we used to ask ourselves, 'When is it going to happen? When are they finally going to replace him?' We'd wait for it, week by week, but it never happened.
We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.
My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?
Part of me was fascinated by the idea that I would only get next week's episode a week in advance and wouldn't actually know where I was going with it, until the script landed on my mat. But, part of me wanted to know what was going to happen.
Traveling is definitely something that your average 17-year-old doesn't get to do. One week we're in Japan, one week we're in Australia, one week we're back home going to football games.
One week you may be an actor, and the next week you had to be nimble enough to be a TV host. And the week after that, you might have to do some stand-up or be in an improv company or write and sing a song somewhere.
Week-by-week you grow with your character and it's an interesting challenge.
That's why I love doing television because it's something that fans and viewers can sit down each week and get to know your character and get to know the show and get to know what's going on and fall in love with you all over again, like they did in previous shows.
My hobbies are random. One week I want to exercise, one week I just want to eat all day. One week I'm going out every night and the next week I'm totally locked in my house, not going anywhere. I'm a little bit all over the place, socially. I don't have another passion or hobby - it's really music. I'm in the studio constantly.
Now we live in this DVD, iTunes, Hulu age, and show creators and networks are realizing that and letting shows develop on those terms rather than 'We gotta just punch it week to week, man.' Now they're like, 'What will happen if someone watches the entire show?'
What they told us about 'Star Trek: The Next Generation' when we first started was that we were guaranteed 26 episodes, so that was the longest job I've ever had. And that was basically it - we didn't know what the premise of the show was going to be and we waited, week by week, to see a script.
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