A Quote by Kehinde Wiley

I mean, the radical contingency that is - that exists and the fact that I'm going into the streets and finding random strangers any given day - who's in these streets that day?
My childhood is streets upon streets upon streets upon streets. Streets to define you and streets to confine you, with no sign of motorway, freeway or highway.
Walking on these streets, until the night falls, my life feels to me like the life they have. By day they’re full of meaningless activity; by night, they’re full of meaningless lack of it. By day I am nothing, and by night I am I. There is no difference between me and these streets, save they being streets and I a soul, which perhaps is irrelevant when we consider the essence of things
We have so much work to do to meet the challenges of people living on our streets. But every day we are out there doing the work, finding solutions not only to help those living on our streets, but to prevent more people from ending up there in the future.
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility'.
One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility.'
Buckley and Vidal were both stand-ins for what was happening on the streets of Chicago and the streets of America. I mean, they're representing these two different camps that are at war in the streets. And they're at war with their words. And each was looking for a knockout.
I wasn't really into music. I was into the streets. I was too worried about the streets and how I was going to eat and how I was going to make the streets happen.
When I have a bad day, I dream about opening up a gelato stand on the streets of Sydney, Australia. Doesn't everyone have a random escape fantasy?
I don't think about returning to the streets, 'cause I don't have any plans to return to the streets. I'm at another level in my life. Returning to the street - I still be in my streets when I get time to, when it's necessary.
... I cannot think a civilization worth having that does not encourage and enable its subjects to spend something, not extorted by governments but freely given to keep wretchedness at least from the streets they walk through day by day.
My mom and dad are from the streets. My mom's from Chicago. My dad's from Memphis. My dad got out of school and got with my mom. They were hustlers. They were from the streets. They were doing their thing. The streets ain't got no love for the streets. You can light up the streets, or be a victim of the streets.
I wasn't from the streets, but I was in the streets. I had a good family, nice home - you know, I can't say I grew up with nothing... but I chose to hang in the streets.
The Arab Spring, nobody's in the streets demonstrating for radical Islam; they're in the streets with a window of democracy. They want our political reform, our social justice, and our economic opportunity.
Even on the poorest streets people could be heard laughing. Some of these streets were completely dark, like black holes, and the laughter that came from who knows where was the only sign, the only beacon that kept residents and strangers from getting lost.
I lived in Paris for two years with my family. I would roam the streets of Paris during the day for a few hours in the subway, on the streets, and I listened to the French language, and I got a sense of the rhythm and the melody of the language.
I'm an absolute fan of 1970s New York in films like 'Mean Streets' and 'Dog Day Afternoon.
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