A Quote by Kehinde Wiley
My style is in the 21st century. If you look at the process, it goes from photography through Photoshop, where certain features are heightened, elements of the photo are diminished. There is no sense of truth when you're looking at the painting or the photo or that moment when the photo was first taken.
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I am consistently impressed by reddit. I'd say on a near weekly basis, by little things. Whether it's - I absolutely love seeing the Photoshop jobs that people do. Not of silly cats, but of redditors who are like, 'I have this photo of like my mom. This is the last photo I took with her. She was in the hospital. Can any of you clean this photo up?'
When you look at a photo twenty years from now, if you look at a photo of a moment in your life, or some friends, or yourself, you just have a lot more information about what that memory was. That's exciting to me. It's like a form of time preservation, I suppose.
When you have confidence, when you feel loved by people, you can tell them the truth. It's important that I can say the photo isn't beautiful or the photo shoot sucks.
You take 35 degrees out of 360 degrees and call it a photo. No individual photo explains anything. That's what makes photography such a wonderful and problematic medium.
For me making a digital photo is like making a watercolor... It's not a painting, and it's not a photo. It's something altogether new.
I think of scientific veracity as an idea from the past - the scientists say it is so, the photo is proof. Even the authoritative power of the word actual - an actual what? An actual retouched photo, an actual collaged photo?
When you start thinking as far as what's a good photo, unfortunately everything starts looking like a good photo.
There was a photo of me with weird sunglasses on and a green sweatshirt, some striped thing, with tights and cowboy boots...I just saw that photo and thought, 'God, I look crazy.'
Here's what I think: the best author photo ever taken is the author photo of you holding your extra-large engulfing rabbit and looking straight at the camera. I never hope to have one so good. The only way I guess it could be any more literary is if the rabbit were smoking a Gauloise and drinking a tiny cup of coffee.
Time is so fast that all times are past times! When you look at a photo of the past, you must know that you are already in the album, someone else is looking at your photo! All times are past times!
Despite everything we know about photo manipulation, a photo is still considered an objective document.
Sometimes I'll use four or five different photo apps on one photo just to get it where I want it to be.
I don't have a favorite photo. As a photographer, I have attachments to each image. Not the one photo: the experience of getting the photos is the challenge or the thing.
Just pushing a button is taking a photo. Thinking, lighting, and lots of other things~that's making a photo.
While it may seem a little mundane, the material realities of realizing the painting actually have a lot to do with how you should read the painting. For example, we assume that what the model is wearing is what we found him in in the streets. No; in fact, a lot of what happens is that in Photoshop certain aspects are being heightened or diminished. There is no actual material truth in these paintings.
The thrill of a photo-realist painter is if you get really close to the painting, it looks just like a photograph. Whereas in my case, if you get close to my paintings, they totally fall apart - so I'm about as far from a photo-realist as it gets.
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