A Quote by Kiana Madeira

Working with Olivia Scott Welch was such a dream. — © Kiana Madeira
Working with Olivia Scott Welch was such a dream.
All I can say is working with Ridley Scott is a dream come true.
It is every producer's dream to be part of a dedicated, hard-working team that produces an outstanding broadcast like the 'CBS Evening News with Scott Pelley.'
On a daily basis, you're working with Steve Carell; you're not working with Ricky Gervais. You try a line, and you can't be writing for David Brent. You have to be writing for Michael Scott because Steve is Michael Scott.
To have a Welch-caliber C.E.O. is impressive.To have a century of Welch-Caliber C.E.O.'s all grown from the inside - well, that is one key reason why G.E. is a visionary company.
For 'So Cold the River,' I'm actually working on adapting the book with Scott Silver, who was just nominated for an Oscar for 'The Fighter,' and who also wrote '8 Mile,' which I think is a terrific screenplay. The chance to work with Scott is a tremendous pleasure and I'm learning a lot.
Working with Olivia Colman has probably been the highlight of my career so far.
I married first, won the Oscar before Olivia (sister Olivia de Havilland) did, and if I die first, she'll undoubtedly be livid because I beat her to it!
The one thing about working with Scott Coker - I've never heard a bad thing about Scott Coker. And that means a lot, especially in our sport.
Scott Eastwood always came in and did a good job. And he's now graduated to better roles, and the chicks are all calling and asking where Scott is. They used to ask where I was. Now they're going, "What about Scott?"
It's interesting that some people reading the comics see Scott Pilgrim as a blank slate in that they like to imagine themselves as Scott Pilgrim, so it's interesting that there are two kind of schools of thought about the character. One is, like, Scott Pilgrim is awesome. The second is Scott Pilgrim believes himself to be awesome.
Certainly Martin Luther King, in the mainstream perception of him, had a dream. Yes, he did. But the question becomes, what was that dream? It wasn't the American Dream. It was a dream that all human beings, especially poor and working people, be treated with dignity.
Establishing mood through pictorial means is the director Ridley Scott's most notable talent. There may be no working director more accomplished at wringing texture out of the color blue than the prodigious and now prolific Mr. Scott; you'd swear that with his dazzling washes of blues and sand tones, he was inventing additional hues on the spot.
I aspire to be someone like Gillian Welch. What she does is play part of a group with two acoustic guitars with harmonies. She plays folk. However, there is no one that sounds like Gillian Welch. I aspire to come up with a unique sound like she has.
For me, I was really struggling because I was Scott Hall in the gym and Scott Hall in the grocery store and in the ring. Until I got a gimmick, a look, and got to be a character, that's when I started making strides. As Scott Hall, I didn't have a gimmick, so I didn't know what to do.
I grew up loving Ridley Scott and Tony Scott and Michael Bay and Adrian Lyne.
I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
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