A Quote by Ciaran Hinds
My feet always danced to Irish traditional music, but I was very glad to get out of the North of Ireland in the mid-Seventies when it was really closed and tight and relentlessly unforgiving.
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Irish folk is probably the biggest influence musically that I've ever had. My mother's Irish. And when I was very young, both my brothers were very into traditional music, English and Irish. They were always playing music, so I was always brought up with it.
I feel warm toward my Irish side, but I don't know the country or the people. Hearing a traditional Irish fiddle, I feel very connected to Ireland, but that's a nostalgia many people feel who aren't Irish at all.
My background is Protestant so I benefited from the great Bible teaching that was provided there... I did love the more culturally classical things, like Irish music, which I think is some of the most congregational-style music when you think of... 'St. Patrick's Breastplate' (and) 'Danny Boy.' These are traditional Irish melodies. I think being brought up there (Ireland) gave me a sense of melody that is very attuned to congregational singing.
I am a proud product of Irish golf and the Golfing Union of Ireland and am hugely honoured to have come from very rich Irish sporting roots I am also a proud Ulsterman who grew up in Northern Ireland. That is my background and always will be.
I am a proud product of Irish golf and the Golfing Union of Ireland and am hugely honoured to have come from very rich Irish sporting roots... I am also a proud Ulsterman who grew up in Northern Ireland. That is my background and always will be.
Ireland is a place that's beautiful and interesting, but I remember when I went there as a teenager with my parents, I was like, "Okay, I'll go to Ireland with my parents. It's going to be green." I think people underestimate it, in that it's, "Oh, it's green," and then you get there, and it's like, "Wow, it is green!" It's, "Oh, there's Irish music," and then you get there, and you're like, "Oh, this Irish music is amazing!" You underestimate it.
I love Ireland. I'll always be 100pc Irish. I get really excited when I go to Sligo; it's my home.
Being Irish and a citizen of the world, has made me truly appreciate Irish culture, music and history. Whether you're first, second generation Irish or even with no connection to Ireland, you should visit in 2013 for a unique experience.
Women, as well as men, in all ages and in all places, have danced on the earth, danced the life dance, danced joy, danced grief, danced despair, and danced hope. Literally and metaphorically, by their very lives.
Until the mid-seventies, the traditional or classic lesbian was always a spinster and often a tweedy intellectual, with a stark glamour that titillated men and women alike. This is the woman that feminists destroyed when they pressured the media for 'positive images' of lesbians.
I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were not mine. I never felt them. I liked how open in most ways Catalan nationalism was, compared to Irish nationalism. I disliked the violence and cruelty in Ireland.
Ireland and America, music-wise, are very closely related. The Irish came over with their fiddles in hand, and you can hear it in the bluegrass and rockabilly. I love it when music from different countries combine.
If Irish or Italian culture dies in America it really isn't that big a deal. They will still exist in Italy and Ireland. Not so with us. There is no other place. North America is our old country.
I've always been fascinated with Ireland, especially Northern Ireland, having lived in London in the '80s when there was an Irish republican bombing campaign there.
I was interested in the ripples of feminism passing through Britain and Ireland in the mid-Seventies - how the reverberations of the feminist political movement were being felt in suburban households. So many novels end with a marriage.
I've never put Northern Ireland into a novel because it's not my territory. I come from the South, so my imaginative territory is very much the Republic of Ireland rather than the North. Even though, if I wrote a novel about the North, it might sell more.
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