A Quote by Keegan-Michael Key

With a lot of my comedic heroes, I'm trying to make sure that, wherever they might have gotten off-track a bit, I've learned that lesson. — © Keegan-Michael Key
With a lot of my comedic heroes, I'm trying to make sure that, wherever they might have gotten off-track a bit, I've learned that lesson.
I thought of collaborating with other people which still might happen at this point. It might not. I was just trying to break the cycle because I had gotten to a point where I was definitely sure that I was on the wrong track after about 16 years.
Yes I was burned but I called it a lesson learned. Mistake overturned so I call it a lesson learned. My soul has returned so I call it a lesson learned...another lesson learned
This is the greatest lesson a child can learn. It is the greatest lesson anyone can learn. It has been the greatest lesson I have learned: if you persevere, stick w/it, work @ it, you have a real opportunity to achieve something. Sure, there will be storms along the way. And you might not reach your goal right away. But if you do your best and keep a true compass, you'll get there.
I've learned so much from the Pirahas over the years. But this is perhaps my favorite lesson. Sure, life is hard and there is plenty of danger. And it might make us lose some sleep from time to time. But enjoy it. Life goes on.
I'm a comedic actor, not to mix words, but it's something I think about. A comedic actor. I like to think that Christopher Guest, Phil Hartman, Peter Sellers and Alec Guinness are comedic actors. And Dan Aykroyd, too. Those are my heroes.
People are remarkably bad at remembering long lists of goals. I learned this at a professional level when trying to get my high-performance coaching clients to stay on track; the longer their lists of to-dos and goals, the more overwhelmed and off-track they got. Clarity comes with simplicity.
I grew up in San Antonio, Texas, and went to a big high school called Douglas McArthur where there was a lot of track and a lot of football. It was a bit like 'Friday Night Lights.' I used to spend a lot of time at the track.
I've turned down a lot of trades where I might have gotten a better player, but I wasn't totally sure of the chemistry of that new player coming in. Even though he might possess golden ability, his personality and the way he gets along with teammates might be things you just don't want to cope with.
You make adjustments according to the specifics of the character.It's something I feel like a lot of my comedic heroes have always done. It's not even necessarily vulnerability, always, but it's an earnestness, a genuine desire to actually do the right thing, but then still make really misguided, stupid decisions along the way.
I make sure to hold onto everything, even the stuff I've gotten rid of, because if there's one thing I've learned about the band is that I'll bring stuff in, and it's oftentimes the stuff that I've gotten rid of that's the stuff that everyone else is like, "yeah!!!!"
A lot people hit the road trying to make some cash. We are out here trying to do something that we really believe in. That's what all of our musical heroes always did.
The last start of spring training, my (cut fastball) was okay. It just wasn't what I wanted it to be. I tried to work on making it cut more and do more. I think that set (the forearm) off ... trying to make it move a lot, cut a lot. I'm just going to back off and trust it a little bit more and not try and push that.
I think the main thing is trying to be fair, sometimes there has to be a little bit of discipline, maybe even punishment involved in trying to make your child understand, learn from bad experiences and make sure they don't happen again.
Vulnerability is huge. I love to see that in characters. It's something I feel like a lot of my comedic heroes have always done.
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
A critical lesson I learned is that we have to make sure all our employees, particularly new hires, have a full immersion in our culture.
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