A Quote by Kiki Dee
Being the youngest, I was a bit of a daddy's girl and sought attention from an early age by singing. I don't know where I got my voice, but ours was always a musical house.
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I was the youngest of the house that I grew up in, so I feel like, as the youngest, you have it pretty good. At the same time, I guess I required a lot of attention, being afraid of so many different things. So I was never seeking attention; I wanted the opposite.
I was the youngest of three kids, and from the age of four, singing was my way of getting attention.
I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.
I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.
I was the youngest of the house that I grew up in, so I feel like as the youngest you have it pretty good. At the same time, I guess I required a lot of attention, being afraid of so many different things. So I was never seeking attention; I wanted the opposite. I just knew that when I saw Michael Jackson on the television screen once, it was, like, "That's it! That's what I'm doing for the rest of my life." I never questioned that.
I love singing! I was a musical theater girl in high school. We were always singing and dancing around, and just doing little community theaters and high school musicals. Then, when I got to NYU, I focused more on drama.
In the early years, I found a voice that was my voice and also partly my father's voice. But isn't that what you always do? Why do kids at 5 years old go into the closet and put their daddy's shoes on? Hey, my kids do it.
We wanted a musical number that would capture the exhilaration of being out on a boat as they were and sailing with the stars and all that. So that's the origin of We Know the Way. From very early on we said, for an audience that doesn't know this, what we need a song that can really have the kind of sweep and the, you know, pull you in. So that was early on, we conceived of like that should be a musical moment [in Maona].
I've loved musical theater ever since I was a kid. My mother's a pianist, and my grandfather was an amateur theater director and stand-up comic. And I was an only child. And I loved attention. So from an early age, my family was teaching old musical songs.
Sometimes a musical imagination is as important as singing itself, you know, the voice, what you do vocally, the vowels. So there's a percussiveness that can sometimes be quite energizing and useful in singing as an expressive device.
I was 17 when it was being filmed and so I was at an age where you are learning a lot about yourself. I came out of school to film it, and I hadn't been having a good time in school before that. I get quite shy around big groups of people. If I meet people, especially my peers and people my own age, I always struggle because I've always worked with adults and they have a tendency to molly coddle you a bit when you're the youngest on-set.
I've never taken vocal lessons. My early trumpet training and a fortunate talent for singing has always been enough for me. In the case of rock singing, I've always felt it was better to remain a bit untrained to maintain your individuality.
If you're a girl, you're always Daddy's little girl. You're vulnerable, no matter how worldly or sophisticated or strong you'd become along the way. My dad Lionel let me know how proud he was, even as he kept me from being too big for my britches.
I'll never feel as comfortable singing as I do playing. The mandolin is my real voice. My actual voice is sort of my secondary voice, but I love to do it and I love giving people relief from playing with a little bit of singing.
I was always the youngest boy in my class at high school. I have retained this feeling of being the youngest, even though now I am almost the oldest person I know.
I grew up in Atlanta, Georgia, the youngest of five. There's something about being the youngest and wanting to be seen. You're like, 'I want attention, notice me.'
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